Fire in the Jungle - Lunar Plane Remix
30s preview
- Key
- 6A · G minor
- BPM
- 123
- Open Key
- 11m
- Energy
- 71/100
- Pop
- 30/100
- Length
- 6:48
- Released
- 2020
- Album
- Fire in the Jungle Remixed
- Genre
- Tech House
- Loudness
- -10.0 dB
- Dynamics
- 11.8 dB
- ISRC
- DEUE22057255
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Fire in the Jungleoriginal10B · 120
Against the original (10B at 120 BPM), this version runs 3 BPM faster and moves the key from 10B to 6A.
A club-tempo tech house cut, Fire in the Jungle - Lunar Plane Remix sits in G minor (6A) at 123 BPM. It reads as dark and driving. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 12 dB). Better known than 89% of Oliver Koletzki's catalogue. For programming, treat it as a floor-filler.
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 38%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 18%
- Upper-mid
- 570 Hz-2.5 kHz
- 13%
- High
- 2.5-11 kHz
FAQ
What key is Fire in the Jungle - Lunar Plane Remix in?
Fire in the Jungle - Lunar Plane Remix by Oliver Koletzki is in G minor, or 6A on the Camelot wheel.
What BPM is Fire in the Jungle - Lunar Plane Remix?
Fire in the Jungle - Lunar Plane Remix runs at 123 BPM, a club-tempo track.
What mixes well with Fire in the Jungle - Lunar Plane Remix?
From 6A it blends harmonically with 7A, 6B, 5A. Moving to 7A lifts the energy a step.
Is Fire in the Jungle - Lunar Plane Remix good for peak time?
With energy 71 out of 100 at 123 BPM, it works best as a floor-filler.
Mixes harmonically
6A → 5A · 7A · 6BFrom 6A, 7A (D minor) lifts the energy a step; 6B (B♭ major) brightens to the relative major; 5A (C minor) cools the energy down a step.
How to mix it
In 6A at 123 BPM: 7A (D minor) — move to 7A to push the floor harder; 6B (B♭ major) — switch to 6B for a mood change without losing the groove; 5A (C minor) — drop to 5A to bring the room down gently.
Pitch range at ±6%: 116-130 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 1A rather than 6A; below -5% it reads as 11A. With key lock on, it stays 6A across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 123 — beatmatch without a big tempo pull.
More tech house
![Joyful Life [De Marktkantine] - Full Vocal Mix by Kerri Chandler cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/d68ab51c71644b39f252.webp){kind=small}
More from Oliver Koletzki
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 123 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.