Want To Go - Original Mix
30s preview
- BPM
- 123
- Open Key
- 3m
- Energy
- 96/100
- Pop
- 1/100
- Length
- 6:34
- Released
- 2016
- Album
- None EP
- Genre
- Tech House
- Label
- Proper Musique
- Loudness
- -9.7 dB
- Dynamics
- 9.6 dB
- ISRC
- GBLV61603123
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Want To Go - Lucas Ferreyra Remixremix12A · 123
At 123 BPM in B minor (10A), Want To Go - Original Mix is a club-tempo tech house production. The feel is bright and euphoric. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2016 production that still circulates in sets. Brighter than 98% of Nusha's catalogue.
- Low end:
- more bass-heavy than 92% of Nusha's catalogue
- Tempo:
- slower than 83% of Nusha's catalogue
- Groove:
- groovier than 81% of Nusha's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 42%
- Low
- 30-130 Hz
- 25%
- Low-mid
- 130-570 Hz
- 17%
- Upper-mid
- 570 Hz-2.5 kHz
- 16%
- High
- 2.5-11 kHz
FAQ
What key is Want To Go - Original Mix in?
Want To Go - Original Mix by Nusha is in B minor, or 10A on the Camelot wheel.
What BPM is Want To Go - Original Mix?
Want To Go - Original Mix runs at 123 BPM, a club-tempo track.
What mixes well with Want To Go - Original Mix?
From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.
Is Want To Go - Original Mix good for peak time?
With energy 96 out of 100 at 123 BPM, it works best as a floor-filler.
Mixes harmonically
10A → 9A · 11A · 10BFrom 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.
How to mix it
In 10A at 123 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.
Pitch range at ±6%: 116-130 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 123 — beatmatch without a big tempo pull.
More tech house
More from Nusha
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 123 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
