All Those Voices in My Head - Lalinea Remix
30s preview
- BPM
- 118
- Open Key
- 7m
- Energy
- 57/100
- Pop
- 0/100
- Length
- 6:39
- Released
- 2014
- Album
- Shadow Theatre EP
- Genre
- Techno
- Loudness
- -12.3 dB
- Dynamics
- 10.4 dB
- ISRC
- FRZIN1400481
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- All Those Voices in My Headoriginal1A · 118
Against the original (1A at 118 BPM), this version holds the same tempo and moves the key from 1A to 2A.
All Those Voices in My Head - Lalinea Remix is a mid-tempo techno track in E♭ minor (2A) at 118 BPM. Tonally it lands balanced in mood. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. A 2014 production that still circulates in sets. Slower than 99% of Nusha's catalogue. For programming, treat it as a mid-set roller.
- Reach:
- more underground than 99% of Nusha's catalogue
- Energy:
- calmer than 94% of Nusha's catalogue
- Low end:
- more bass-heavy than 94% of Nusha's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 43%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 17%
- Upper-mid
- 570 Hz-2.5 kHz
- 13%
- High
- 2.5-11 kHz
FAQ
What key is All Those Voices in My Head - Lalinea Remix in?
All Those Voices in My Head - Lalinea Remix by Nusha is in E♭ minor, or 2A on the Camelot wheel.
What BPM is All Those Voices in My Head - Lalinea Remix?
All Those Voices in My Head - Lalinea Remix runs at 118 BPM, a mid-tempo track.
What mixes well with All Those Voices in My Head - Lalinea Remix?
From 2A it blends harmonically with 3A, 2B, 1A. Moving to 3A lifts the energy a step.
Is All Those Voices in My Head - Lalinea Remix good for peak time?
With energy 57 out of 100 at 118 BPM, it works best as a mid-set roller.
Mixes harmonically
2A → 1A · 3A · 2BFrom 2A, 3A (B♭ minor) lifts the energy a step; 2B (F♯ major) brightens to the relative major; 1A (A♭ minor) cools the energy down a step.
How to mix it
In 2A at 118 BPM: 3A (B♭ minor) — move to 3A to push the floor harder; 2B (F♯ major) — switch to 2B for a mood change without losing the groove; 1A (A♭ minor) — drop to 1A to bring the room down gently.
Pitch range at ±6%: 111-125 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 9A rather than 2A; below -5% it reads as 7A. With key lock on, it stays 2A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 118 — beatmatch without a big tempo pull.
More techno
More from Nusha
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 118 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
