All Those Voices in My Head
30s preview
- BPM
- 118
- Open Key
- 6m
- Energy
- 61/100
- Pop
- 0/100
- Length
- 6:14
- Released
- 2014
- Album
- Shadow Theatre EP
- Genre
- Techno
- Loudness
- -9.6 dB
- Dynamics
- 16.0 dB
- ISRC
- FRZIN1400480
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- All Those Voices in My Head - Lalinea Remixremix2A · 118
A mid-tempo techno cut, All Those Voices in My Head sits in A♭ minor (1A) at 118 BPM. The feel is punchy, neutral in mood. The groove is strong and floor-ready. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 16 dB). A 2014 production that still circulates in sets. Slower than 99% of Nusha's catalogue. In a set it works best as a mid-set roller.
- Reach:
- more underground than 99% of Nusha's catalogue
- Energy:
- calmer than 91% of Nusha's catalogue
- Groove:
- groovier than 91% of Nusha's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 35%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 20%
- Upper-mid
- 570 Hz-2.5 kHz
- 18%
- High
- 2.5-11 kHz
FAQ
What key is All Those Voices in My Head in?
All Those Voices in My Head by Nusha is in A♭ minor, or 1A on the Camelot wheel.
What BPM is All Those Voices in My Head?
All Those Voices in My Head runs at 118 BPM, a mid-tempo track.
What mixes well with All Those Voices in My Head?
From 1A it blends harmonically with 2A, 1B, 12A. Moving to 2A lifts the energy a step.
Is All Those Voices in My Head good for peak time?
With energy 61 out of 100 at 118 BPM, it works best as a mid-set roller.
Mixes harmonically
1A → 12A · 2A · 1BFrom 1A, 2A (E♭ minor) lifts the energy a step; 1B (B major) brightens to the relative major; 12A (D♭ minor) cools the energy down a step.
How to mix it
In 1A at 118 BPM: 2A (E♭ minor) — move to 2A to push the floor harder; 1B (B major) — switch to 1B for a mood change without losing the groove; 12A (D♭ minor) — drop to 12A to bring the room down gently.
Pitch range at ±6%: 111-125 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 8A rather than 1A; below -5% it reads as 6A. With key lock on, it stays 1A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 118 — beatmatch without a big tempo pull.
More techno
More from Nusha
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 118 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
