Filth & After by NoNameLeft cover art

Filth & After

NoNameLeft

30s preview

Key
10B · D major
BPM
125
Open Key
3d
Energy
89/100
Pop
2/100
Length
6:47
Released
2020
Album
h-8
Genre
Techno
Label
Phobia Music Recordings
Loudness
-8.4 dB
Dynamics
19.1 dB
ISRC
GBLV62008417

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

At 125 BPM in D major (10B), Filth & After is a club-tempo techno production. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is centred in the low-mids, warm and bass-forward. The master keeps unusual dynamic range for club music (crest 19 dB). Darker than 99% of NoNameLeft's catalogue.

Low end:
more treble-tilted than 99% of NoNameLeft's catalogue
Tempo:
slower than 94% of NoNameLeft's catalogue
Groove:
groovier than 81% of NoNameLeft's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy89
Mood4Dark
Groove79
Acoustic0
Instrumental87
Live32
Speech5

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
22%
Low
30-130 Hz
33%
Low-mid
130-570 Hz
28%
Upper-mid
570 Hz-2.5 kHz
17%
High
2.5-11 kHz

FAQ

What key is Filth & After in?

Filth & After by NoNameLeft is in D major, or 10B on the Camelot wheel.

What BPM is Filth & After?

Filth & After runs at 125 BPM, a club-tempo track.

What mixes well with Filth & After?

From 10B it blends harmonically with 11B, 10A, 9B. Moving to 11B lifts the energy a step.

Is Filth & After good for peak time?

With energy 89 out of 100 at 125 BPM, it works best as a peak-time weapon.

Mixes harmonically

10B9B · 11B · 10A

From 10B, 11B (A major) lifts the energy a step; 10A (B minor) settles into the relative minor; 9B (G major) cools the energy down a step.

Every move from 10B

11BSimple Mix Upper
9BSimple Mix Downer
10ATonal Shift·
11ADiagonal Mix Upper
9ADiagonal Mix Downer
1ACompatible Tone·
12BHigh Energy Boost▲▲▲
8BHigh Energy Drain▼▼▼
1BParallel Key Upper▲▲
7BParallel Key Downer▼▼
5BTritone Jump▲▲
2BRelated Keyrisky

How to mix it

In 10B at 125 BPM: 11B (A major) — move to 11B to push the floor harder; 10A (B minor) — switch to 10A for a mood change without losing the groove; 9B (G major) — drop to 9B to bring the room down gently.

Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5B rather than 10B; below -5% it reads as 3B. With key lock on, it stays 10B across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 89/100).

Similar tempo

Within ±3 BPM of 125 — beatmatch without a big tempo pull.

More techno

More from NoNameLeft

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

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