
夏の終わりを識る
30s preview
- BPM
- 91
- Double-time
- 182
- Open Key
- 5d
- Energy
- 59/100
- Pop
- 7/100
- Length
- 3:48
- Released
- 2025
- Genre
- Vocaloid
- Loudness
- -5.0 dB
- Dynamics
- 14.6 dB
- ISRC
- QZTBD2502876
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- 聖人君子でありたい (feat. 重音テト)original6B · 174
- かみさまべにうめをせにさかせたる (feat. 重音テト)original10A · 73
- 散財讃歌 (feat. 重音テト)original4A · 138
- 命短し恋せよキメラ (feat. 重音テト)original4A · 168
- ドレスコード (feat. 初音ミク&重音テト)original3B · 132
- だめにんげんだ! (feat. 重音テト)original11B · 90
夏の終わりを識る runs 91 BPM in E major (12B), a slow-groove tempo vocaloid record. The feel is balanced in mood. It is vocal-led. The master keeps unusual dynamic range for club music (crest 15 dB). Slower than 95% of Nobserv's catalogue. For programming, treat it as an opener or closing-set piece.
- Energy:
- calmer than 77% of Nobserv's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 32%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 25%
- Upper-mid
- 570 Hz-2.5 kHz
- 16%
- High
- 2.5-11 kHz
FAQ
What key is 夏の終わりを識る in?
夏の終わりを識る by Nobserv is in E major, or 12B on the Camelot wheel.
What BPM is 夏の終わりを識る?
夏の終わりを識る runs at 91 BPM, a slow-groove tempo track.
What mixes well with 夏の終わりを識る?
From 12B it blends harmonically with 1B, 12A, 11B. Moving to 1B lifts the energy a step.
Is 夏の終わりを識る good for peak time?
With energy 59 out of 100 at 91 BPM, it works best as an opener or closing-set piece.
Mixes harmonically
12B → 11B · 1B · 12AFrom 12B, 1B (B major) lifts the energy a step; 12A (D♭ minor) settles into the relative minor; 11B (A major) cools the energy down a step.
How to mix it
In 12B at 91 BPM: 1B (B major) — move to 1B to push the floor harder; 12A (D♭ minor) — switch to 12A for a mood change without losing the groove; 11B (A major) — drop to 11B to bring the room down gently.
Pitch range at ±6%: 86-96 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 7B rather than 12B; below -5% it reads as 5B. With key lock on, it stays 12B across the whole range.
Programming: an opener or closing-set piece.
Similar tempo
Within ±3 BPM of 91 — beatmatch without a big tempo pull.
More vocaloid
More from Nobserv
Full profileOther recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 91 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.