Get Good Kid - Squire Remix
30s preview
- BPM
- 124
- Open Key
- 3d
- Energy
- 61/100
- Pop
- 0/100
- Length
- 6:45
- Released
- 2014
- Album
- Get Good Kid
- Genre
- Tech House
- Label
- Wow! Recordings
- Loudness
- -6.6 dB
- Dynamics
- 11.5 dB
- ISRC
- FRZIN1400584
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Get Good Kid - Argy Remixremix9B · 126
- Get Good Kidoriginal9B · 123
- Get Good Kid - Carlo Lio Remixremix4B · 126
- Get Good Kid - DJ Herr Remixremix9B · 123
- Get Good Kid - Luca Donzelli & Mar-T Remixremix3A · 123
Against the original (9B at 123 BPM), this version runs 1 BPM faster and moves the key from 9B to 10B.
Get Good Kid - Squire Remix is a club-tempo tech house track in D major (10B) at 124 BPM. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 12 dB). A 2014 production that still circulates in sets. Less groove-driven than 99% of Nathan Barato's catalogue.
- Reach:
- more underground than 99% of Nathan Barato's catalogue
- Brightness:
- darker than 94% of Nathan Barato's catalogue
- Energy:
- calmer than 92% of Nathan Barato's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 39%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 20%
- Upper-mid
- 570 Hz-2.5 kHz
- 13%
- High
- 2.5-11 kHz
FAQ
What key is Get Good Kid - Squire Remix in?
Get Good Kid - Squire Remix by Nathan Barato is in D major, or 10B on the Camelot wheel.
What BPM is Get Good Kid - Squire Remix?
Get Good Kid - Squire Remix runs at 124 BPM, a club-tempo track.
What mixes well with Get Good Kid - Squire Remix?
From 10B it blends harmonically with 11B, 10A, 9B. Moving to 11B lifts the energy a step.
Is Get Good Kid - Squire Remix good for peak time?
With energy 61 out of 100 at 124 BPM, it works best as a mid-set roller.
Mixes harmonically
10B → 9B · 11B · 10AFrom 10B, 11B (A major) lifts the energy a step; 10A (B minor) settles into the relative minor; 9B (G major) cools the energy down a step.
How to mix it
In 10B at 124 BPM: 11B (A major) — move to 11B to push the floor harder; 10A (B minor) — switch to 10A for a mood change without losing the groove; 9B (G major) — drop to 9B to bring the room down gently.
Pitch range at ±6%: 117-131 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5B rather than 10B; below -5% it reads as 3B. With key lock on, it stays 10B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 124 — beatmatch without a big tempo pull.
More tech house
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More from Nathan Barato
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 124 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
