Oh God by Mozey cover art

Oh God

Mozey

30s preview

Key
3A · B♭ minor
BPM
176
Half-time
88
Open Key
8m
Energy
96/100
Pop
24/100
Length
4:28
Released
2020
Genre
Drum N Bass
Loudness
0.1 dB
Dynamics
9.6 dB
ISRC
GBRD52000025

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Oh God is a drum n bass track in B♭ minor (3A) at 176 BPM. Tonally it lands punchy, neutral in mood. It is vocal-led. Spoken-word passages run through it. Its spectrum is weighted to the sub and kick, with a heavy low end. The master is loud and heavily compressed. Faster than 84% of Mozey's catalogue. For programming, treat it as an opener or closing-set piece.

Brightness:
brighter than 77% of Mozey's catalogue
Energy:
hotter than 76% of Mozey's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy96
Mood42Balanced
Groove65
Acoustic1
Instrumental0
Live45
Speech45

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
33%
Low
30-130 Hz
28%
Low-mid
130-570 Hz
22%
Upper-mid
570 Hz-2.5 kHz
17%
High
2.5-11 kHz

FAQ

What key is Oh God in?

Oh God by Mozey is in B♭ minor, or 3A on the Camelot wheel.

What BPM is Oh God?

Oh God runs at 176 BPM.

What mixes well with Oh God?

From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.

Is Oh God good for peak time?

With energy 96 out of 100 at 176 BPM, it works best as an opener or closing-set piece.

Mixes harmonically

3A2A · 4A · 3B

From 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.

#TrackKey·BPM

Every move from 3A

4ASimple Mix Upper
2ASimple Mix Downer
3BTonal Shift·
4BDiagonal Mix Upper
2BDiagonal Mix Downer
12BCompatible Tone·
5AHigh Energy Boost▲▲▲
1AHigh Energy Drain▼▼▼
6AParallel Key Upper▲▲
12AParallel Key Downer▼▼
10ATritone Jump▲▲
7ARelated Keyrisky

How to mix it

In 3A at 176 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.

Pitch range at ±6%: 165-187 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.

Programming: an opener or closing-set piece.

Similar tempo

Within ±3 BPM of 176 — beatmatch without a big tempo pull.

#TrackKey·BPM

More drum n bass

#TrackKey·BPM

More from Mozey

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 176 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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