
Bad
30s preview
- Key
- 9B · G major
- BPM
- 175
- Half-time
- 88
- Open Key
- 2d
- Energy
- 98/100
- Pop
- 20/100
- Length
- 2:58
- Released
- 2022
- Genre
- Drum N Bass
- Loudness
- -1.9 dB
- Dynamics
- 11.8 dB
- ISRC
- UKK762257003
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Bad: drum n bass, G major (9B), 175 BPM. It reads as bright and euphoric. It is vocal-led. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 12 dB). Brighter than 99% of Mozey's catalogue. In a set it works best as a floor-filler.
- Low end:
- more treble-tilted than 96% of Mozey's catalogue
- Energy:
- hotter than 84% of Mozey's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 29%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 23%
- Upper-mid
- 570 Hz-2.5 kHz
- 19%
- High
- 2.5-11 kHz
FAQ
What key is Bad in?
Bad by Mozey is in G major, or 9B on the Camelot wheel.
What BPM is Bad?
Bad runs at 175 BPM.
What mixes well with Bad?
From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.
Is Bad good for peak time?
With energy 98 out of 100 at 175 BPM, it works best as a floor-filler.
Mixes harmonically
9B → 8B · 10B · 9AFrom 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.
How to mix it
In 9B at 175 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.
Pitch range at ±6%: 164-186 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 175 — beatmatch without a big tempo pull.
More drum n bass
More from Mozey
Full profileOther recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 175 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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