Misled
30s preview
- BPM
- 118
- Open Key
- 7d
- Energy
- 85/100
- Pop
- 25/100
- Length
- 4:54
- Released
- 1997
- Album
- Silentintroduction
- Genre
- Deep House
- Label
- Planet E
- Loudness
- -11.4 dB
- Dynamics
- 13.0 dB
- ISRC
- usdy41620834
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Misled: mid-tempo deep house, F♯ major (2B), 118 BPM. The feel is punchy, neutral in mood. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 13 dB). A 1997 production that still circulates in sets. Hotter than 94% of Moodymann's catalogue. In a set it works best as a floor-filler.
- Reach:
- better known than 80% of Moodymann's catalogue
- Low end:
- more bass-heavy than 80% of Moodymann's catalogue
- Brightness:
- brighter than 76% of Moodymann's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 39%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 17%
- Upper-mid
- 570 Hz-2.5 kHz
- 14%
- High
- 2.5-11 kHz
FAQ
What key is Misled in?
Misled by Moodymann is in F♯ major, or 2B on the Camelot wheel.
What BPM is Misled?
Misled runs at 118 BPM, a mid-tempo track.
What mixes well with Misled?
From 2B it blends harmonically with 3B, 2A, 1B. Moving to 3B lifts the energy a step.
Is Misled good for peak time?
With energy 85 out of 100 at 118 BPM, it works best as a floor-filler.
Mixes harmonically
2B → 1B · 3B · 2AFrom 2B, 3B (D♭ major) lifts the energy a step; 2A (E♭ minor) settles into the relative minor; 1B (B major) cools the energy down a step.
How to mix it
In 2B at 118 BPM: 3B (D♭ major) — move to 3B to push the floor harder; 2A (E♭ minor) — switch to 2A for a mood change without losing the groove; 1B (B major) — drop to 1B to bring the room down gently.
Pitch range at ±6%: 111-125 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 9B rather than 2B; below -5% it reads as 7B. With key lock on, it stays 2B across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 118 — beatmatch without a big tempo pull.
More deep house
More from Moodymann
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 118 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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