Keep On Coming (feat. CD)
30s preview
- BPM
- 124
- Open Key
- 3d
- Energy
- 48/100
- Pop
- 17/100
- Length
- 5:17
- Released
- 2021
- Album
- Keep on Coming (feat. CD)
- Genre
- Deep House
- Loudness
- -15.0 dB
- Dynamics
- 10.7 dB
- ISRC
- GBJX32157009
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Keep On Coming (feat. CD): club-tempo deep house, D major (10B), 124 BPM. The feel is dark and steady. The groove is strong and floor-ready. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. More bass-heavy than 98% of Moodymann's catalogue. For programming, treat it as a mid-set roller.
- Groove:
- groovier than 79% of Moodymann's catalogue
- Brightness:
- darker than 78% of Moodymann's catalogue
- Tempo:
- faster than 76% of Moodymann's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 49%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 14%
- Upper-mid
- 570 Hz-2.5 kHz
- 7%
- High
- 2.5-11 kHz
FAQ
What key is Keep On Coming (feat. CD) in?
Keep On Coming (feat. CD) by Moodymann is in D major, or 10B on the Camelot wheel.
What BPM is Keep On Coming (feat. CD)?
Keep On Coming (feat. CD) runs at 124 BPM, a club-tempo track.
What mixes well with Keep On Coming (feat. CD)?
From 10B it blends harmonically with 11B, 10A, 9B. Moving to 11B lifts the energy a step.
Is Keep On Coming (feat. CD) good for peak time?
With energy 48 out of 100 at 124 BPM, it works best as a mid-set roller.
Mixes harmonically
10B → 9B · 11B · 10AFrom 10B, 11B (A major) lifts the energy a step; 10A (B minor) settles into the relative minor; 9B (G major) cools the energy down a step.
How to mix it
In 10B at 124 BPM: 11B (A major) — move to 11B to push the floor harder; 10A (B minor) — switch to 10A for a mood change without losing the groove; 9B (G major) — drop to 9B to bring the room down gently.
Pitch range at ±6%: 117-131 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5B rather than 10B; below -5% it reads as 3B. With key lock on, it stays 10B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 124 — beatmatch without a big tempo pull.
More deep house
More from Moodymann
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 124 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
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