Otherside - Edit
30s preview
- Key
- 8A · A minor
- BPM
- 123
- Open Key
- 1m
- Energy
- 59/100
- Pop
- 18/100
- Length
- 4:26
- Released
- 2020
- Album
- Otherside
- Genre
- Progressive House
- Label
- Embassy One
- Loudness
- -10.5 dB
- Dynamics
- 12.9 dB
- ISRC
- DETO32000142
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Othersideoriginal9B · 123
- Otherside - Fideles Remixremix9B · 123
- Otherside - Club Mixversion9B · 123
- Othersideoriginal8A · 123
Against the original (9B at 123 BPM), this version holds the same tempo and moves the key from 9B to 8A.
Otherside - Edit: club-tempo progressive house, A minor (8A), 123 BPM. Tonally it lands dark and steady. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 13 dB). In a set it works best as a mid-set roller.
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 35%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 13%
- High
- 2.5-11 kHz
FAQ
What key is Otherside - Edit in?
Otherside - Edit by Monolink is in A minor, or 8A on the Camelot wheel.
What BPM is Otherside - Edit?
Otherside - Edit runs at 123 BPM, a club-tempo track.
What mixes well with Otherside - Edit?
From 8A it blends harmonically with 9A, 8B, 7A. Moving to 9A lifts the energy a step.
Is Otherside - Edit good for peak time?
With energy 59 out of 100 at 123 BPM, it works best as a mid-set roller.
Mixes harmonically
8A → 7A · 9A · 8BFrom 8A, 9A (E minor) lifts the energy a step; 8B (C major) brightens to the relative major; 7A (D minor) cools the energy down a step.
How to mix it
In 8A at 123 BPM: 9A (E minor) — move to 9A to push the floor harder; 8B (C major) — switch to 8B for a mood change without losing the groove; 7A (D minor) — drop to 7A to bring the room down gently.
Pitch range at ±6%: 116-130 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3A rather than 8A; below -5% it reads as 1A. With key lock on, it stays 8A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 123 — beatmatch without a big tempo pull.
More progressive house
More from Monolink
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 123 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.