5 Miles by Monococ cover art

5 Miles

Monococ

30s preview

Key
4B · A♭ major
BPM
126
Open Key
9d
Energy
65/100
Pop
0/100
Length
7:43
Released
2018
Album
Electric City
Genre
Techno
Loudness
-10.7 dB
Dynamics
8.8 dB
ISRC
DEH741814765

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

5 Miles runs 126 BPM in A♭ major (4B), a club-tempo techno record. Tonally it lands dark and driving. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. A 2018 production that still circulates in sets. More underground than 99% of Monococ's catalogue. For programming, treat it as a mid-set roller.

Low end:
more bass-heavy than 87% of Monococ's catalogue
Energy:
calmer than 80% of Monococ's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy65
Mood22Dark
Groove77
Acoustic2
Instrumental86
Live7
Speech6

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
44%
Low
30-130 Hz
29%
Low-mid
130-570 Hz
18%
Upper-mid
570 Hz-2.5 kHz
10%
High
2.5-11 kHz

FAQ

What key is 5 Miles in?

5 Miles by Monococ is in A♭ major, or 4B on the Camelot wheel.

What BPM is 5 Miles?

5 Miles runs at 126 BPM, a club-tempo track.

What mixes well with 5 Miles?

From 4B it blends harmonically with 5B, 4A, 3B. Moving to 5B lifts the energy a step.

Is 5 Miles good for peak time?

With energy 65 out of 100 at 126 BPM, it works best as a mid-set roller.

Mixes harmonically

4B3B · 5B · 4A

From 4B, 5B (E♭ major) lifts the energy a step; 4A (F minor) settles into the relative minor; 3B (D♭ major) cools the energy down a step.

Every move from 4B

5BSimple Mix Upper
3BSimple Mix Downer
4ATonal Shift·
5ADiagonal Mix Upper
3ADiagonal Mix Downer
7ACompatible Tone·
6BHigh Energy Boost▲▲▲
2BHigh Energy Drain▼▼▼
7BParallel Key Upper▲▲
1BParallel Key Downer▼▼
11BTritone Jump▲▲
8BRelated Keyrisky

How to mix it

In 4B at 126 BPM: 5B (E♭ major) — move to 5B to push the floor harder; 4A (F minor) — switch to 4A for a mood change without losing the groove; 3B (D♭ major) — drop to 3B to bring the room down gently.

Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11B rather than 4B; below -5% it reads as 9B. With key lock on, it stays 4B across the whole range.

Programming: a mid-set roller.

Similar tempo

Within ±3 BPM of 126 — beatmatch without a big tempo pull.

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Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

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