High On by Mita Gami cover art

High On

Mita Gami

30s preview

Key
9A · E minor
BPM
123
Open Key
2m
Energy
82/100
Pop
0/100
Length
5:41
Released
2022
Genre
Tech House
Loudness
-9.3 dB
Dynamics
13.2 dB
ISRC
GB7NR2227801

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

A club-tempo tech house cut, High On sits in E minor (9A) at 123 BPM. The feel is dark and driving. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 13 dB). More underground than 99% of Mita Gami's catalogue.

Brightness:
darker than 90% of Mita Gami's catalogue
Energy:
hotter than 80% of Mita Gami's catalogue
Groove:
less groove-driven than 78% of Mita Gami's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy82
Mood12Dark
Groove77
Acoustic3
Instrumental85
Live12
Speech5

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
41%
Low
30-130 Hz
31%
Low-mid
130-570 Hz
24%
Upper-mid
570 Hz-2.5 kHz
4%
High
2.5-11 kHz

FAQ

What key is High On in?

High On by Mita Gami is in E minor, or 9A on the Camelot wheel.

What BPM is High On?

High On runs at 123 BPM, a club-tempo track.

What mixes well with High On?

From 9A it blends harmonically with 10A, 9B, 8A. Moving to 10A lifts the energy a step.

Is High On good for peak time?

With energy 82 out of 100 at 123 BPM, it works best as a floor-filler.

Mixes harmonically

9A8A · 10A · 9B

From 9A, 10A (B minor) lifts the energy a step; 9B (G major) brightens to the relative major; 8A (A minor) cools the energy down a step.

Every move from 9A

10ASimple Mix Upper
8ASimple Mix Downer
9BTonal Shift·
10BDiagonal Mix Upper
8BDiagonal Mix Downer
6BCompatible Tone·
11AHigh Energy Boost▲▲▲
7AHigh Energy Drain▼▼▼
12AParallel Key Upper▲▲
6AParallel Key Downer▼▼
4ATritone Jump▲▲
1ARelated Keyrisky

How to mix it

In 9A at 123 BPM: 10A (B minor) — move to 10A to push the floor harder; 9B (G major) — switch to 9B for a mood change without losing the groove; 8A (A minor) — drop to 8A to bring the room down gently.

Pitch range at ±6%: 116-130 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4A rather than 9A; below -5% it reads as 2A. With key lock on, it stays 9A across the whole range.

Programming: a floor-filler.

Similar tempo

Within ±3 BPM of 123 — beatmatch without a big tempo pull.

More tech house

More from Mita Gami

Full profile
#Track

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 123 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track