Nine O Six - Paul C and Paolo Martini Remix
30s preview
- Key
- 8A · A minor
- BPM
- 125
- Open Key
- 1m
- Energy
- 92/100
- Pop
- 2/100
- Length
- 7:41
- Released
- 2013
- Album
- Out Of The Box - Remixes
- Genre
- Tech House
- Loudness
- -10.8 dB
- Dynamics
- 12.7 dB
- ISRC
- GBJAJ1302626
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Nine O Sixoriginal10B · 125
- Nine O Six - Matt Smallwood Remixremix3A · 125
- Nine O Six - The Glitz Remixremix5A · 122
Against the original (10B at 125 BPM), this version holds the same tempo and moves the key from 10B to 8A.
Nine O Six - Paul C and Paolo Martini Remix is a club-tempo tech house track in A minor (8A) at 125 BPM. It reads as bright and euphoric. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 13 dB). A 2013 production that still circulates in sets. Groovier than 85% of Mihalis Safras's catalogue. For programming, treat it as a peak-time weapon.
- Reach:
- better known than 79% of Mihalis Safras's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 39%
- Low
- 30-130 Hz
- 25%
- Low-mid
- 130-570 Hz
- 19%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is Nine O Six - Paul C and Paolo Martini Remix in?
Nine O Six - Paul C and Paolo Martini Remix by Mihalis Safras is in A minor, or 8A on the Camelot wheel.
What BPM is Nine O Six - Paul C and Paolo Martini Remix?
Nine O Six - Paul C and Paolo Martini Remix runs at 125 BPM, a club-tempo track.
What mixes well with Nine O Six - Paul C and Paolo Martini Remix?
From 8A it blends harmonically with 9A, 8B, 7A. Moving to 9A lifts the energy a step.
Is Nine O Six - Paul C and Paolo Martini Remix good for peak time?
With energy 92 out of 100 at 125 BPM, it works best as a peak-time weapon.
Mixes harmonically
8A → 7A · 9A · 8BFrom 8A, 9A (E minor) lifts the energy a step; 8B (C major) brightens to the relative major; 7A (D minor) cools the energy down a step.
How to mix it
In 8A at 125 BPM: 9A (E minor) — move to 9A to push the floor harder; 8B (C major) — switch to 8B for a mood change without losing the groove; 7A (D minor) — drop to 7A to bring the room down gently.
Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3A rather than 8A; below -5% it reads as 1A. With key lock on, it stays 8A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 92/100).
Similar tempo
Within ±3 BPM of 125 — beatmatch without a big tempo pull.
More tech house
More from Mihalis Safras
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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