Milaidy
30s preview
- Key
- 9B · G major
- BPM
- 124
- Open Key
- 2d
- Energy
- 52/100
- Pop
- 0/100
- Length
- 5:56
- Released
- 2007
- Genre
- Tech House
- Loudness
- -12.6 dB
- Dynamics
- 13.4 dB
- ISRC
- DEAZ30705170
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 124 BPM in G major (9B), Milaidy is a club-tempo tech house production. Tonally it lands dark and steady. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 13 dB). A 2007 production that still circulates in sets. More underground than 99% of Mihalis Safras's catalogue. For programming, treat it as a mid-set roller.
- Low end:
- more bass-heavy than 94% of Mihalis Safras's catalogue
- Energy:
- calmer than 93% of Mihalis Safras's catalogue
- Brightness:
- darker than 85% of Mihalis Safras's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 44%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 17%
- Upper-mid
- 570 Hz-2.5 kHz
- 11%
- High
- 2.5-11 kHz
FAQ
What key is Milaidy in?
Milaidy by Mihalis Safras is in G major, or 9B on the Camelot wheel.
What BPM is Milaidy?
Milaidy runs at 124 BPM, a club-tempo track.
What mixes well with Milaidy?
From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.
Is Milaidy good for peak time?
With energy 52 out of 100 at 124 BPM, it works best as a mid-set roller.
Mixes harmonically
9B → 8B · 10B · 9AFrom 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.
How to mix it
In 9B at 124 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.
Pitch range at ±6%: 117-131 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 124 — beatmatch without a big tempo pull.
More tech house
More from Mihalis Safras
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 124 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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