Clouds in You - Roy RosenfelD Remix
30s preview
- BPM
- 124
- Open Key
- 9d
- Energy
- 52/100
- Pop
- 0/100
- Length
- 9:06
- Released
- 2010
- Album
- Clouds in You
- Genre
- House
- Label
- Neurotraxx Deluxe
- Loudness
- -9.7 dB
- Dynamics
- 10.7 dB
- ISRC
- ITR150900387
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Clouds in You - Original Mixoriginal4B · 120
Against the original (4B at 120 BPM), this version runs 4 BPM faster in the same key.
At 124 BPM in A♭ major (4B), Clouds in You - Roy RosenfelD Remix is a club-tempo house production. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2010 production that still circulates in sets. Groovier than 99% of Guy Mantzur's catalogue.
- Reach:
- more underground than 99% of Guy Mantzur's catalogue
- Energy:
- calmer than 93% of Guy Mantzur's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 41%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 10%
- High
- 2.5-11 kHz
FAQ
What key is Clouds in You - Roy RosenfelD Remix in?
Clouds in You - Roy RosenfelD Remix by Guy Mantzur is in A♭ major, or 4B on the Camelot wheel.
What BPM is Clouds in You - Roy RosenfelD Remix?
Clouds in You - Roy RosenfelD Remix runs at 124 BPM, a club-tempo track.
What mixes well with Clouds in You - Roy RosenfelD Remix?
From 4B it blends harmonically with 5B, 4A, 3B. Moving to 5B lifts the energy a step.
Is Clouds in You - Roy RosenfelD Remix good for peak time?
With energy 52 out of 100 at 124 BPM, it works best as a mid-set roller.
Mixes harmonically
4B → 3B · 5B · 4AFrom 4B, 5B (E♭ major) lifts the energy a step; 4A (F minor) settles into the relative minor; 3B (D♭ major) cools the energy down a step.
How to mix it
In 4B at 124 BPM: 5B (E♭ major) — move to 5B to push the floor harder; 4A (F minor) — switch to 4A for a mood change without losing the groove; 3B (D♭ major) — drop to 3B to bring the room down gently.
Pitch range at ±6%: 117-131 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11B rather than 4B; below -5% it reads as 9B. With key lock on, it stays 4B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 124 — beatmatch without a big tempo pull.
More house
More from Guy Mantzur
Full profileOther recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 124 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.