
Gala Gouy - Michael a Remix
30s preview
- BPM
- 125
- Open Key
- 3d
- Energy
- 39/100
- Pop
- 0/100
- Length
- 6:12
- Released
- 2013
- Album
- No Cheats / Gala Gouy
- Genre
- Progressive House
- Loudness
- -12.7 dB
- Dynamics
- 10.8 dB
- ISRC
- US83Z1343847
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Gala Gouy - Michael a Remix runs 125 BPM in D major (10B), a club-tempo progressive house record. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. A 2013 production that still circulates in sets. Calmer than 99% of Michael A's catalogue.
- Reach:
- more underground than 99% of Michael A's catalogue
- Tempo:
- faster than 97% of Michael A's catalogue
- Low end:
- more bass-heavy than 95% of Michael A's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 46%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 19%
- Upper-mid
- 570 Hz-2.5 kHz
- 6%
- High
- 2.5-11 kHz
FAQ
What key is Gala Gouy - Michael a Remix in?
Gala Gouy - Michael a Remix by Michael A is in D major, or 10B on the Camelot wheel.
What BPM is Gala Gouy - Michael a Remix?
Gala Gouy - Michael a Remix runs at 125 BPM, a club-tempo track.
What mixes well with Gala Gouy - Michael a Remix?
From 10B it blends harmonically with 11B, 10A, 9B. Moving to 11B lifts the energy a step.
Is Gala Gouy - Michael a Remix good for peak time?
With energy 39 out of 100 at 125 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
10B → 9B · 11B · 10AFrom 10B, 11B (A major) lifts the energy a step; 10A (B minor) settles into the relative minor; 9B (G major) cools the energy down a step.
How to mix it
In 10B at 125 BPM: 11B (A major) — move to 11B to push the floor harder; 10A (B minor) — switch to 10A for a mood change without losing the groove; 9B (G major) — drop to 9B to bring the room down gently.
Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5B rather than 10B; below -5% it reads as 3B. With key lock on, it stays 10B across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 125 — beatmatch without a big tempo pull.
More progressive house
More from Michael A
Full profileOther recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.