Emerald by Michael A cover art

Emerald

Michael A

30s preview

Key
3B · D♭ major
BPM
121
Open Key
8d
Energy
76/100
Pop
0/100
Length
6:25
Released
2022
Album
Timeline
Genre
Progressive House
Label
Audio Drive Digital
Loudness
-7.7 dB
Dynamics
11.2 dB
ISRC
MEA042200009

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Emerald: club-tempo progressive house, D♭ major (3B), 121 BPM. Tonally it lands dark and driving. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 11 dB). More underground than 99% of Michael A's catalogue. For programming, treat it as a floor-filler.

Tempo:
slower than 78% of Michael A's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy76
Mood11Dark
Groove80
Acoustic0
Instrumental88
Live7
Speech5

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
38%
Low
30-130 Hz
25%
Low-mid
130-570 Hz
20%
Upper-mid
570 Hz-2.5 kHz
17%
High
2.5-11 kHz

FAQ

What key is Emerald in?

Emerald by Michael A is in D♭ major, or 3B on the Camelot wheel.

What BPM is Emerald?

Emerald runs at 121 BPM, a club-tempo track.

What mixes well with Emerald?

From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.

Is Emerald good for peak time?

With energy 76 out of 100 at 121 BPM, it works best as a floor-filler.

Mixes harmonically

3B2B · 4B · 3A

From 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.

Every move from 3B

4BSimple Mix Upper
2BSimple Mix Downer
3ATonal Shift·
4ADiagonal Mix Upper
2ADiagonal Mix Downer
6ACompatible Tone·
5BHigh Energy Boost▲▲▲
1BHigh Energy Drain▼▼▼
6BParallel Key Upper▲▲
12BParallel Key Downer▼▼
10BTritone Jump▲▲
7BRelated Keyrisky

How to mix it

In 3B at 121 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.

Pitch range at ±6%: 114-128 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.

Programming: a floor-filler.

Similar tempo

Within ±3 BPM of 121 — beatmatch without a big tempo pull.

More progressive house

More from Michael A

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 121 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

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