Bad Memories - Acoustic
30s preview
- Key
- 4A · F minor
- BPM
- 124
- Open Key
- 9m
- Energy
- 53/100
- Pop
- 32/100
- Length
- 2:21
- Released
- 2023
- Album
- Bad Memories (Acoustic)
- Genre
- House
- Loudness
- -7.7 dB
- Dynamics
- 12.2 dB
- ISRC
- GBUM72207166
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Bad Memories (feat. Elley Duhé & FAST BOY)original4A · 124
- Bad Memories - Felix Jaehn Remixremix3B · 138
- Bad Memoriesoriginal4A · 124
- Bad Memories (David Guetta remix)remix3A · 125
- Bad Memories - HotLap Remixremix3B · 124
- Bad Memories (Feat. Elley Duhé, FAST BOY) - Andrea Oliva Remixremix4A · 128
Against the original (4A at 124 BPM), this version holds the same tempo in the same key.
At 124 BPM in F minor (4A), Bad Memories - Acoustic is a club-tempo house production. It reads as balanced in mood. It is vocal-led. Its spectrum is centred in the low-mids, warm and bass-forward. The master keeps unusual dynamic range for club music (crest 12 dB). Calmer than 96% of Meduza's catalogue. For programming, treat it as a mid-set roller.
- Low end:
- more treble-tilted than 96% of Meduza's catalogue
- Tempo:
- slower than 91% of Meduza's catalogue
- Brightness:
- brighter than 79% of Meduza's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 27%
- Low
- 30-130 Hz
- 32%
- Low-mid
- 130-570 Hz
- 25%
- Upper-mid
- 570 Hz-2.5 kHz
- 16%
- High
- 2.5-11 kHz
FAQ
What key is Bad Memories - Acoustic in?
Bad Memories - Acoustic by Meduza is in F minor, or 4A on the Camelot wheel.
What BPM is Bad Memories - Acoustic?
Bad Memories - Acoustic runs at 124 BPM, a club-tempo track.
What mixes well with Bad Memories - Acoustic?
From 4A it blends harmonically with 5A, 4B, 3A. Moving to 5A lifts the energy a step.
Is Bad Memories - Acoustic good for peak time?
With energy 53 out of 100 at 124 BPM, it works best as a mid-set roller.
Mixes harmonically
4A → 3A · 5A · 4BFrom 4A, 5A (C minor) lifts the energy a step; 4B (A♭ major) brightens to the relative major; 3A (B♭ minor) cools the energy down a step.
How to mix it
In 4A at 124 BPM: 5A (C minor) — move to 5A to push the floor harder; 4B (A♭ major) — switch to 4B for a mood change without losing the groove; 3A (B♭ minor) — drop to 3A to bring the room down gently.
Pitch range at ±6%: 117-131 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11A rather than 4A; below -5% it reads as 9A. With key lock on, it stays 4A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 124 — beatmatch without a big tempo pull.
More house
More from Meduza
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 124 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
