Badman - Extended Mix
30s preview
- Key
- 9B · G major
- BPM
- 130
- Open Key
- 2d
- Energy
- 96/100
- Pop
- 0/100
- Length
- 5:55
- Released
- 2022
- Album
- Badman EP
- Genre
- Tech House
- Loudness
- -6.6 dB
- Dynamics
- 13.6 dB
- ISRC
- GBJAJ2201043
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Badmanoriginal9B · 130
Against the original (9B at 130 BPM), this version holds the same tempo in the same key.
Badman - Extended Mix: peak-time tempo tech house, G major (9B), 130 BPM. It reads as bright and euphoric. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. The master keeps unusual dynamic range for club music (crest 14 dB). More underground than 99% of Max Chapman's catalogue. For programming, treat it as a peak-time weapon.
- Tempo:
- faster than 94% of Max Chapman's catalogue
- Low end:
- more treble-tilted than 83% of Max Chapman's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 32%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 18%
- High
- 2.5-11 kHz
FAQ
What key is Badman - Extended Mix in?
Badman - Extended Mix by Max Chapman is in G major, or 9B on the Camelot wheel.
What BPM is Badman - Extended Mix?
Badman - Extended Mix runs at 130 BPM, a peak-time tempo track.
What mixes well with Badman - Extended Mix?
From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.
Is Badman - Extended Mix good for peak time?
With energy 96 out of 100 at 130 BPM, it works best as a peak-time weapon.
Mixes harmonically
9B → 8B · 10B · 9AFrom 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.
How to mix it
In 9B at 130 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.
Pitch range at ±6%: 122-138 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 96/100).
Similar tempo
Within ±3 BPM of 130 — beatmatch without a big tempo pull.
More tech house
More from Max Chapman
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 130 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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