Drugs From Amsterdam - Remix
- BPM
- 125
- Open Key
- 7d
- Energy
- 83/100
- Pop
- 0/100
- Length
- 3:57
- Released
- 2022
- Album
- Drugs From Amsterdam (Remix)
- Genre
- Tech House
- Loudness
- -8.3 dB
- ISRC
- SE62M2262991
- Explicit
- Yes
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Drugs From Amsterdamoriginal4B · 125
- Drugs From Amsterdam - Armand Van Helden Remixremix9B · 130
- Drugs From Amsterdam (Reinier Zonneveld remix)remix9A · 133
Against the original (4B at 125 BPM), this version holds the same tempo and moves the key from 4B to 2B.
A club-tempo tech house cut, Drugs From Amsterdam - Remix sits in F♯ major (2B) at 125 BPM. The feel is bright and euphoric. The groove is strong and floor-ready. It is vocal-led. Slower than 99% of Mau P's catalogue. For programming, treat it as a peak-time weapon.
- Reach:
- more underground than 99% of Mau P's catalogue
- Energy:
- calmer than 90% of Mau P's catalogue
- Brightness:
- brighter than 90% of Mau P's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Drugs From Amsterdam - Remix in?
Drugs From Amsterdam - Remix by Mau P is in F♯ major, or 2B on the Camelot wheel.
What BPM is Drugs From Amsterdam - Remix?
Drugs From Amsterdam - Remix runs at 125 BPM, a club-tempo track.
What mixes well with Drugs From Amsterdam - Remix?
From 2B it blends harmonically with 3B, 2A, 1B. Moving to 3B lifts the energy a step.
Is Drugs From Amsterdam - Remix good for peak time?
With energy 83 out of 100 at 125 BPM, it works best as a peak-time weapon.
Mixes harmonically
2B → 1B · 3B · 2AFrom 2B, 3B (D♭ major) lifts the energy a step; 2A (E♭ minor) settles into the relative minor; 1B (B major) cools the energy down a step.
How to mix it
In 2B at 125 BPM: 3B (D♭ major) — move to 3B to push the floor harder; 2A (E♭ minor) — switch to 2A for a mood change without losing the groove; 1B (B major) — drop to 1B to bring the room down gently.
Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 9B rather than 2B; below -5% it reads as 7B. With key lock on, it stays 2B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 83/100).
Similar tempo
Within ±3 BPM of 125 — beatmatch without a big tempo pull.
More tech house
More from Mau P
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
