Universal Truth
30s preview
- Key
- 9B · G major
- BPM
- 174
- Half-time
- 87
- Open Key
- 2d
- Energy
- 98/100
- Pop
- 1/100
- Length
- 5:39
- Released
- 2006
- Genre
- Drum N Bass
- Loudness
- -2.9 dB
- Dynamics
- 17.3 dB
- ISRC
- GBTMZ0790003
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Universal Truth runs 174 BPM in G major (9B), a drum n bass record. The groove is loose and less beat-driven. The mix is almost entirely instrumental. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 17 dB). A 2006 production that still circulates in sets. More treble-tilted than 96% of Matrix & Futurebound's catalogue. In a set it works best as an opener or closing-set piece.
- Reach:
- more underground than 91% of Matrix & Futurebound's catalogue
- Groove:
- less groove-driven than 83% of Matrix & Futurebound's catalogue
- Energy:
- hotter than 79% of Matrix & Futurebound's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 25%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 26%
- Upper-mid
- 570 Hz-2.5 kHz
- 20%
- High
- 2.5-11 kHz
FAQ
What key is Universal Truth in?
Universal Truth by Matrix & Futurebound is in G major, or 9B on the Camelot wheel.
What BPM is Universal Truth?
Universal Truth runs at 174 BPM.
What mixes well with Universal Truth?
From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.
Is Universal Truth good for peak time?
With energy 98 out of 100 at 174 BPM, it works best as an opener or closing-set piece.
Mixes harmonically
9B → 8B · 10B · 9AFrom 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.
How to mix it
In 9B at 174 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.
Pitch range at ±6%: 164-184 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.
Programming: an opener or closing-set piece.
Similar tempo
Within ±3 BPM of 174 — beatmatch without a big tempo pull.
More drum n bass
More from Matrix & Futurebound
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 174 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
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