Little Girl - Masters At Work Dub
- BPM
- 125
- Open Key
- 3m
- Energy
- 94/100
- Pop
- 1/100
- Length
- 5:28
- Released
- 2022
- Album
- Little Girl (Masters At Work Remixes)
- Genre
- House
- Loudness
- -8.4 dB
- ISRC
- USNRS2242306
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Little Girl - Masters At Work Remixremix9B · 125
- Little Girl - Masters At Work Beatsoriginal4B · 125
Against the original (4B at 125 BPM), this version holds the same tempo and moves the key from 4B to 10A.
At 125 BPM in B minor (10A), Little Girl - Masters At Work Dub is a club-tempo house production. The groove is strong and floor-ready. Hotter than 92% of Masters At Work's catalogue. In a set it works best as a peak-time weapon.
- Groove:
- groovier than 83% of Masters At Work's catalogue
- Brightness:
- darker than 79% of Masters At Work's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Little Girl - Masters At Work Dub in?
Little Girl - Masters At Work Dub by Masters At Work is in B minor, or 10A on the Camelot wheel.
What BPM is Little Girl - Masters At Work Dub?
Little Girl - Masters At Work Dub runs at 125 BPM, a club-tempo track.
What mixes well with Little Girl - Masters At Work Dub?
From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.
Is Little Girl - Masters At Work Dub good for peak time?
With energy 94 out of 100 at 125 BPM, it works best as a peak-time weapon.
Mixes harmonically
10A → 9A · 11A · 10BFrom 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.
How to mix it
In 10A at 125 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.
Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 94/100).
Similar tempo
Within ±3 BPM of 125 — beatmatch without a big tempo pull.
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