Antigravity Love feat. Larry Powell - KenLou Dubb
30s preview
- Key
- 8A · A minor
- BPM
- 124
- Open Key
- 1m
- Energy
- 64/100
- Pop
- 0/100
- Length
- 9:17
- Released
- 2020
- Album
- Antigravity Love (Masters At Work Remixes)
- Genre
- House
- Loudness
- -10.7 dB
- Dynamics
- 19.4 dB
- ISRC
- GB7NR2024303
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
A club-tempo house cut, Antigravity Love feat. Larry Powell - KenLou Dubb sits in A minor (8A) at 124 BPM. The feel is punchy, neutral in mood. Rhythmically it is built for the dancefloor. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 19 dB). More underground than 99% of Masters At Work's catalogue. For programming, treat it as a mid-set roller.
- Low end:
- more treble-tilted than 98% of Masters At Work's catalogue
- Groove:
- groovier than 76% of Masters At Work's catalogue
- Energy:
- calmer than 75% of Masters At Work's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 29%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 26%
- Upper-mid
- 570 Hz-2.5 kHz
- 15%
- High
- 2.5-11 kHz
FAQ
What key is Antigravity Love feat. Larry Powell - KenLou Dubb in?
Antigravity Love feat. Larry Powell - KenLou Dubb by Masters At Work is in A minor, or 8A on the Camelot wheel.
What BPM is Antigravity Love feat. Larry Powell - KenLou Dubb?
Antigravity Love feat. Larry Powell - KenLou Dubb runs at 124 BPM, a club-tempo track.
What mixes well with Antigravity Love feat. Larry Powell - KenLou Dubb?
From 8A it blends harmonically with 9A, 8B, 7A. Moving to 9A lifts the energy a step.
Is Antigravity Love feat. Larry Powell - KenLou Dubb good for peak time?
With energy 64 out of 100 at 124 BPM, it works best as a mid-set roller.
Mixes harmonically
8A → 7A · 9A · 8BFrom 8A, 9A (E minor) lifts the energy a step; 8B (C major) brightens to the relative major; 7A (D minor) cools the energy down a step.
How to mix it
In 8A at 124 BPM: 9A (E minor) — move to 9A to push the floor harder; 8B (C major) — switch to 8B for a mood change without losing the groove; 7A (D minor) — drop to 7A to bring the room down gently.
Pitch range at ±6%: 117-131 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3A rather than 8A; below -5% it reads as 1A. With key lock on, it stays 8A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 124 — beatmatch without a big tempo pull.
More house
More from Masters At Work
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 124 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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