Come Together - Extended Mix
30s preview
- BPM
- 120
- Open Key
- 3d
- Energy
- 73/100
- Pop
- 44/100
- Length
- 8:06
- Released
- 2020
- Album
- Come Together / Naturish
- Genre
- Deep House
- Label
- Anjunadeep
- Loudness
- -11.6 dB
- Dynamics
- 14.0 dB
- ISRC
- GBEWA1906132
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Come Together - Nox Vahn & Marsh Revisitoriginal8B · 111
- Come Together - Live from Natural Bridge State Park, Kentuckyoriginal10B · 120
- Come Together - Matthias Meyer Remixremix8B · 120
- Come Together - Matthias Meyer Extended Mixversion8B · 120
- Come Together (live From Natural Bridge State Park, Kentucky)original9B · 79
Against the original (8B at 111 BPM), this version runs 9 BPM faster and moves the key from 8B to 10B.
A club-tempo deep house cut, Come Together - Extended Mix sits in D major (10B) at 120 BPM. It reads as dark and driving. The groove is loose and less beat-driven. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 14 dB). Less groove-driven than 97% of Marsh's catalogue. In a set it works best as a mid-set roller.
- Reach:
- better known than 95% of Marsh's catalogue
- Brightness:
- darker than 94% of Marsh's catalogue
- Tempo:
- slower than 89% of Marsh's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 34%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 24%
- Upper-mid
- 570 Hz-2.5 kHz
- 13%
- High
- 2.5-11 kHz
FAQ
What key is Come Together - Extended Mix in?
Come Together - Extended Mix by Marsh is in D major, or 10B on the Camelot wheel.
What BPM is Come Together - Extended Mix?
Come Together - Extended Mix runs at 120 BPM, a club-tempo track.
What mixes well with Come Together - Extended Mix?
From 10B it blends harmonically with 11B, 10A, 9B. Moving to 11B lifts the energy a step.
Is Come Together - Extended Mix good for peak time?
With energy 73 out of 100 at 120 BPM, it works best as a mid-set roller.
Mixes harmonically
10B → 9B · 11B · 10AFrom 10B, 11B (A major) lifts the energy a step; 10A (B minor) settles into the relative minor; 9B (G major) cools the energy down a step.
How to mix it
In 10B at 120 BPM: 11B (A major) — move to 11B to push the floor harder; 10A (B minor) — switch to 10A for a mood change without losing the groove; 9B (G major) — drop to 9B to bring the room down gently.
Pitch range at ±6%: 113-127 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5B rather than 10B; below -5% it reads as 3B. With key lock on, it stays 10B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 120 — beatmatch without a big tempo pull.
More deep house
![Fly (Original Mix] by Kobana cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/01e9c868b22b6ec1673a.webp){kind=small}
More from Marsh
Full profile
![All Night Long [extended mix] by Marsh cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/764397c5f01ad2badd82.webp){kind=small}
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 120 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
