1992 by Marsh cover art

1992

Marsh

30s preview

Key
10A · B minor
BPM
122
Open Key
3m
Energy
85/100
Pop
20/100
Length
7:22
Released
2019
Genre
Progressive House
Label
Anjunadeep
Loudness
-9.8 dB
Dynamics
16.3 dB
ISRC
GBEWA1903092

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

1992: club-tempo progressive house, B minor (10A), 122 BPM. The feel is dark and driving. The mix is almost entirely instrumental. The master keeps unusual dynamic range for club music (crest 16 dB). More treble-tilted than 83% of Marsh's catalogue.

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy85
Mood13Dark
Groove74
Acoustic0
Instrumental88
Live7
Speech5

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
32%
Low
30-130 Hz
28%
Low-mid
130-570 Hz
22%
Upper-mid
570 Hz-2.5 kHz
18%
High
2.5-11 kHz

FAQ

What key is 1992 in?

1992 by Marsh is in B minor, or 10A on the Camelot wheel.

What BPM is 1992?

1992 runs at 122 BPM, a club-tempo track.

What mixes well with 1992?

From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.

Is 1992 good for peak time?

With energy 85 out of 100 at 122 BPM, it works best as a floor-filler.

Mixes harmonically

10A9A · 11A · 10B

From 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.

Every move from 10A

11ASimple Mix Upper
9ASimple Mix Downer
10BTonal Shift·
11BDiagonal Mix Upper
9BDiagonal Mix Downer
7BCompatible Tone·
12AHigh Energy Boost▲▲▲
8AHigh Energy Drain▼▼▼
1AParallel Key Upper▲▲
7AParallel Key Downer▼▼
5ATritone Jump▲▲
2ARelated Keyrisky

How to mix it

In 10A at 122 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.

Pitch range at ±6%: 115-129 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.

Programming: a floor-filler.

Similar tempo

Within ±3 BPM of 122 — beatmatch without a big tempo pull.

More progressive house

More from Marsh

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 122 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

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