Not Really (All My Mind Games) by Marco Lys cover art

Not Really (All My Mind Games)

Marco Lys

30s preview

Key
3A · B♭ minor
BPM
126
Open Key
8m
Energy
83/100
Pop
3/100
Length
6:25
Released
2012
Album
Can't Get Enough
Genre
House
Label
Rising Music
Loudness
-4.8 dB
Dynamics
12.5 dB
ISRC
GBLNZ1200219

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Not Really (All My Mind Games): club-tempo house, B♭ minor (3A), 126 BPM. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 13 dB). A 2012 production that still circulates in sets. Darker than 78% of Marco Lys's catalogue.

Energy:
calmer than 76% of Marco Lys's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy83
Mood26Dark
Groove76
Acoustic0
Instrumental57
Live6
Speech7

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
32%
Low
30-130 Hz
27%
Low-mid
130-570 Hz
23%
Upper-mid
570 Hz-2.5 kHz
19%
High
2.5-11 kHz

FAQ

What key is Not Really (All My Mind Games) in?

Not Really (All My Mind Games) by Marco Lys is in B♭ minor, or 3A on the Camelot wheel.

What BPM is Not Really (All My Mind Games)?

Not Really (All My Mind Games) runs at 126 BPM, a club-tempo track.

What mixes well with Not Really (All My Mind Games)?

From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.

Is Not Really (All My Mind Games) good for peak time?

With energy 83 out of 100 at 126 BPM, it works best as a peak-time weapon.

Mixes harmonically

3A2A · 4A · 3B

From 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.

Every move from 3A

4ASimple Mix Upper
2ASimple Mix Downer
3BTonal Shift·
4BDiagonal Mix Upper
2BDiagonal Mix Downer
12BCompatible Tone·
5AHigh Energy Boost▲▲▲
1AHigh Energy Drain▼▼▼
6AParallel Key Upper▲▲
12AParallel Key Downer▼▼
10ATritone Jump▲▲
7ARelated Keyrisky

How to mix it

In 3A at 126 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.

Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 83/100).

Similar tempo

Within ±3 BPM of 126 — beatmatch without a big tempo pull.

More house

More from Marco Lys

Full profile
#Track

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track