Be Rich
30s preview
- BPM
- 124
- Open Key
- 5m
- Energy
- 100/100
- Pop
- 0/100
- Length
- 6:46
- Released
- 2013
- Genre
- Tech House
- Label
- Skint
- Loudness
- -3.8 dB
- Dynamics
- 8.8 dB
- ISRC
- GBBMQ1300096
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Be Rich (BAZU Remix)remix12A · 125
Be Rich is a club-tempo tech house track in D♭ minor (12A) at 124 BPM. It reads as dark and driving. The groove is strong and floor-ready. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master is loud and heavily compressed. A 2013 production that still circulates in sets. More underground than 99% of Marco Lys's catalogue. For programming, treat it as a peak-time weapon.
- Energy:
- hotter than 98% of Marco Lys's catalogue
- Groove:
- groovier than 90% of Marco Lys's catalogue
- Tempo:
- slower than 87% of Marco Lys's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 38%
- Low
- 30-130 Hz
- 26%
- Low-mid
- 130-570 Hz
- 20%
- Upper-mid
- 570 Hz-2.5 kHz
- 16%
- High
- 2.5-11 kHz
FAQ
What key is Be Rich in?
Be Rich by Marco Lys is in D♭ minor, or 12A on the Camelot wheel.
What BPM is Be Rich?
Be Rich runs at 124 BPM, a club-tempo track.
What mixes well with Be Rich?
From 12A it blends harmonically with 1A, 12B, 11A. Moving to 1A lifts the energy a step.
Is Be Rich good for peak time?
With energy 100 out of 100 at 124 BPM, it works best as a peak-time weapon.
Mixes harmonically
12A → 11A · 1A · 12BFrom 12A, 1A (A♭ minor) lifts the energy a step; 12B (E major) brightens to the relative major; 11A (F♯ minor) cools the energy down a step.
How to mix it
In 12A at 124 BPM: 1A (A♭ minor) — move to 1A to push the floor harder; 12B (E major) — switch to 12B for a mood change without losing the groove; 11A (F♯ minor) — drop to 11A to bring the room down gently.
Pitch range at ±6%: 117-131 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 7A rather than 12A; below -5% it reads as 5A. With key lock on, it stays 12A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 100/100).
Similar tempo
Within ±3 BPM of 124 — beatmatch without a big tempo pull.
More tech house
More from Marco Lys
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 124 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
