Near To Close by Marco Faraone cover art

Near To Close

Marco Faraone

30s preview

Key
3B · D♭ major
BPM
125
Open Key
8d
Energy
79/100
Pop
0/100
Length
6:44
Released
2016
Album
Replace
Genre
Techno
Loudness
-10.8 dB
Dynamics
9.8 dB
ISRC
DEY471812880

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Near To Close runs 125 BPM in D♭ major (3B), a club-tempo techno record. The feel is dark and driving. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. A 2016 production that still circulates in sets. More underground than 99% of Marco Faraone's catalogue. In a set it works best as a peak-time weapon.

Tempo:
slower than 83% of Marco Faraone's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy79
Mood16Dark
Groove80
Acoustic0
Instrumental94
Live11
Speech6

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
42%
Low
30-130 Hz
28%
Low-mid
130-570 Hz
16%
Upper-mid
570 Hz-2.5 kHz
14%
High
2.5-11 kHz

FAQ

What key is Near To Close in?

Near To Close by Marco Faraone is in D♭ major, or 3B on the Camelot wheel.

What BPM is Near To Close?

Near To Close runs at 125 BPM, a club-tempo track.

What mixes well with Near To Close?

From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.

Is Near To Close good for peak time?

With energy 79 out of 100 at 125 BPM, it works best as a peak-time weapon.

Mixes harmonically

3B2B · 4B · 3A

From 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.

#TrackKey·BPM

Every move from 3B

4BSimple Mix Upper
2BSimple Mix Downer
3ATonal Shift·
4ADiagonal Mix Upper
2ADiagonal Mix Downer
6ACompatible Tone·
5BHigh Energy Boost▲▲▲
1BHigh Energy Drain▼▼▼
6BParallel Key Upper▲▲
12BParallel Key Downer▼▼
10BTritone Jump▲▲
7BRelated Keyrisky

How to mix it

In 3B at 125 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.

Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 79/100).

Similar tempo

Within ±3 BPM of 125 — beatmatch without a big tempo pull.

#TrackKey·BPM

More techno

#TrackKey·BPM

More from Marco Faraone

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

Every insight on this page, for your own library.

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