Forever Be - Original Mix
30s preview
- BPM
- 130
- Open Key
- 4m
- Energy
- 52/100
- Pop
- 0/100
- Length
- 5:43
- Released
- 2021
- Album
- Forever Be
- Genre
- Techno
- Loudness
- -7.6 dB
- Dynamics
- 6.5 dB
- ISRC
- GBJX32198005
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Forever Be - Anfisa Letyago Remixremix7B · 133
- Forever Be - Flug Remixremix9B · 134
Forever Be - Original Mix: peak-time tempo techno, F♯ minor (11A), 130 BPM. Its spectrum is weighted to the sub and kick, with a heavy low end. The master is squashed flat, built for loudness (crest 7 dB). More underground than 99% of Marco Faraone's catalogue. In a set it works best as a mid-set roller.
- Energy:
- calmer than 94% of Marco Faraone's catalogue
- Low end:
- more bass-heavy than 92% of Marco Faraone's catalogue
- Groove:
- groovier than 87% of Marco Faraone's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 53%
- Low
- 30-130 Hz
- 34%
- Low-mid
- 130-570 Hz
- 13%
- Upper-mid
- 570 Hz-2.5 kHz
- 0%
- High
- 2.5-11 kHz
FAQ
What key is Forever Be - Original Mix in?
Forever Be - Original Mix by Marco Faraone is in F♯ minor, or 11A on the Camelot wheel.
What BPM is Forever Be - Original Mix?
Forever Be - Original Mix runs at 130 BPM, a peak-time tempo track.
What mixes well with Forever Be - Original Mix?
From 11A it blends harmonically with 12A, 11B, 10A. Moving to 12A lifts the energy a step.
Is Forever Be - Original Mix good for peak time?
With energy 52 out of 100 at 130 BPM, it works best as a mid-set roller.
Mixes harmonically
11A → 10A · 12A · 11BFrom 11A, 12A (D♭ minor) lifts the energy a step; 11B (A major) brightens to the relative major; 10A (B minor) cools the energy down a step.
How to mix it
In 11A at 130 BPM: 12A (D♭ minor) — move to 12A to push the floor harder; 11B (A major) — switch to 11B for a mood change without losing the groove; 10A (B minor) — drop to 10A to bring the room down gently.
Pitch range at ±6%: 122-138 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6A rather than 11A; below -5% it reads as 4A. With key lock on, it stays 11A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 130 — beatmatch without a big tempo pull.
More techno
More from Marco Faraone
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 130 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
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