La Bestia Negra - Original Mix
30s preview
- BPM
- 126
- Open Key
- 3d
- Energy
- 62/100
- Pop
- 0/100
- Length
- 6:52
- Released
- 2010
- Album
- My Other Face
- Genre
- Tech House
- Label
- Blu Fin
- Loudness
- -9.7 dB
- Dynamics
- 10.7 dB
- ISRC
- DECX40900374
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
La Bestia Negra - Original Mix: club-tempo tech house, D major (10B), 126 BPM. Tonally it lands dark and driving. The groove is strong and floor-ready. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2010 production that still circulates in sets. More underground than 99% of Marc DePulse's catalogue. For programming, treat it as a mid-set roller.
- Groove:
- groovier than 93% of Marc DePulse's catalogue
- Tempo:
- faster than 84% of Marc DePulse's catalogue
- Low end:
- more bass-heavy than 84% of Marc DePulse's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 44%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 20%
- Upper-mid
- 570 Hz-2.5 kHz
- 8%
- High
- 2.5-11 kHz
FAQ
What key is La Bestia Negra - Original Mix in?
La Bestia Negra - Original Mix by Marc DePulse is in D major, or 10B on the Camelot wheel.
What BPM is La Bestia Negra - Original Mix?
La Bestia Negra - Original Mix runs at 126 BPM, a club-tempo track.
What mixes well with La Bestia Negra - Original Mix?
From 10B it blends harmonically with 11B, 10A, 9B. Moving to 11B lifts the energy a step.
Is La Bestia Negra - Original Mix good for peak time?
With energy 62 out of 100 at 126 BPM, it works best as a mid-set roller.
Mixes harmonically
10B → 9B · 11B · 10AFrom 10B, 11B (A major) lifts the energy a step; 10A (B minor) settles into the relative minor; 9B (G major) cools the energy down a step.
How to mix it
In 10B at 126 BPM: 11B (A major) — move to 11B to push the floor harder; 10A (B minor) — switch to 10A for a mood change without losing the groove; 9B (G major) — drop to 9B to bring the room down gently.
Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5B rather than 10B; below -5% it reads as 3B. With key lock on, it stays 10B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 126 — beatmatch without a big tempo pull.
More tech house
More from Marc DePulse
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
