All That Really Matters (feat. Teddy Swims) - Ilan Bluestone & Maor Levi Extended Remix
- BPM
- 130
- Open Key
- 8m
- Energy
- 93/100
- Pop
- 2/100
- Length
- 6:43
- Released
- 2024
- Album
- All That Really Matters (feat. Teddy Swims) [Ilan Bluestone & Maor Levi Extended Remix]
- Genre
- Progressive Trance
- Loudness
- -3.3 dB
- ISRC
- USWB12403743
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
All That Really Matters (feat. Teddy Swims) - Ilan Bluestone & Maor Levi Extended Remix: peak-time tempo progressive trance, B♭ minor (3A), 130 BPM. The groove is strong and floor-ready. The master is loud and heavily compressed. Groovier than 90% of Maor Levi's catalogue. In a set it works best as a peak-time weapon.
- Energy:
- hotter than 78% of Maor Levi's catalogue
- Tempo:
- faster than 76% of Maor Levi's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is All That Really Matters (feat. Teddy Swims) - Ilan Bluestone & Maor Levi Extended Remix in?
All That Really Matters (feat. Teddy Swims) - Ilan Bluestone & Maor Levi Extended Remix by Maor Levi is in B♭ minor, or 3A on the Camelot wheel.
What BPM is All That Really Matters (feat. Teddy Swims) - Ilan Bluestone & Maor Levi Extended Remix?
All That Really Matters (feat. Teddy Swims) - Ilan Bluestone & Maor Levi Extended Remix runs at 130 BPM, a peak-time tempo track.
What mixes well with All That Really Matters (feat. Teddy Swims) - Ilan Bluestone & Maor Levi Extended Remix?
From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.
Is All That Really Matters (feat. Teddy Swims) - Ilan Bluestone & Maor Levi Extended Remix good for peak time?
With energy 93 out of 100 at 130 BPM, it works best as a peak-time weapon.
Mixes harmonically
3A → 2A · 4A · 3BFrom 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.
How to mix it
In 3A at 130 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.
Pitch range at ±6%: 122-138 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 93/100).
Similar tempo
Within ±3 BPM of 130 — beatmatch without a big tempo pull.
More progressive trance
More from Maor Levi
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 130 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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