Planet XL (That's How We Do) - Jerome Farley & 6KU Remix
- Key
- 9B · G major
- BPM
- 130
- Open Key
- 2d
- Energy
- 93/100
- Pop
- 0/100
- Length
- 8:20
- Released
- 2013
- Album
- Planet XL (That's How We Do)
- Genre
- Progressive Trance
- Loudness
- -2.6 dB
- ISRC
- QMFMG1348681
- Explicit
- Yes
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Planet XL (That's How We Do) - Tony Moran & Deep Influence Epic Clean Radio Mixversion9A · 130
- Planet XL (That's How We Do) - Tony Moran & Deep Influence Epic Mixoriginal9A · 130
- Planet XL (That's How We Do) - Tony Moran & Deep Influence Epic Radio Mixversion9A · 130
- Planet XL (That's How We Do) - Tony Moran & Deep Influence Nyc Mixoriginal9A · 130
Against the original (9A at 130 BPM), this version holds the same tempo and moves the key from 9A to 9B.
A peak-time tempo progressive trance cut, Planet XL (That's How We Do) - Jerome Farley & 6KU Remix sits in G major (9B) at 130 BPM. It is vocal-led. The master is loud and heavily compressed. A 2013 production that still circulates in sets. More underground than 99% of Liquid Soul's catalogue.
- Tempo:
- slower than 98% of Liquid Soul's catalogue
- Brightness:
- brighter than 97% of Liquid Soul's catalogue
- Energy:
- hotter than 76% of Liquid Soul's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Planet XL (That's How We Do) - Jerome Farley & 6KU Remix in?
Planet XL (That's How We Do) - Jerome Farley & 6KU Remix by Liquid Soul is in G major, or 9B on the Camelot wheel.
What BPM is Planet XL (That's How We Do) - Jerome Farley & 6KU Remix?
Planet XL (That's How We Do) - Jerome Farley & 6KU Remix runs at 130 BPM, a peak-time tempo track.
What mixes well with Planet XL (That's How We Do) - Jerome Farley & 6KU Remix?
From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.
Is Planet XL (That's How We Do) - Jerome Farley & 6KU Remix good for peak time?
With energy 93 out of 100 at 130 BPM, it works best as a peak-time weapon.
Mixes harmonically
9B → 8B · 10B · 9AFrom 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.
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How to mix it
In 9B at 130 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.
Pitch range at ±6%: 122-138 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 93/100).
Similar tempo
Within ±3 BPM of 130 — beatmatch without a big tempo pull.
More progressive trance
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 130 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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