Upside Down
30s preview
- BPM
- 122
- Open Key
- 3d
- Energy
- 70/100
- Pop
- 22/100
- Length
- 7:53
- Released
- 2022
- Genre
- Progressive House
- Loudness
- -8.2 dB
- Dynamics
- 10.1 dB
- ISRC
- GBKQU2243329
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Upside Down is a club-tempo progressive house track in D major (10B) at 122 BPM. It reads as punchy, neutral in mood. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. For programming, treat it as a mid-set roller.
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 37%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 20%
- Upper-mid
- 570 Hz-2.5 kHz
- 15%
- High
- 2.5-11 kHz
FAQ
What key is Upside Down in?
Upside Down by Makebo is in D major, or 10B on the Camelot wheel.
What BPM is Upside Down?
Upside Down runs at 122 BPM, a club-tempo track.
What mixes well with Upside Down?
From 10B it blends harmonically with 11B, 10A, 9B. Moving to 11B lifts the energy a step.
Is Upside Down good for peak time?
With energy 70 out of 100 at 122 BPM, it works best as a mid-set roller.
Mixes harmonically
10B → 9B · 11B · 10AFrom 10B, 11B (A major) lifts the energy a step; 10A (B minor) settles into the relative minor; 9B (G major) cools the energy down a step.
How to mix it
In 10B at 122 BPM: 11B (A major) — move to 11B to push the floor harder; 10A (B minor) — switch to 10A for a mood change without losing the groove; 9B (G major) — drop to 9B to bring the room down gently.
Pitch range at ±6%: 115-129 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5B rather than 10B; below -5% it reads as 3B. With key lock on, it stays 10B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 122 — beatmatch without a big tempo pull.
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 122 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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