Stop & Go (Extended)
30s preview
- BPM
- 135
- Open Key
- 3m
- Energy
- 74/100
- Pop
- 0/100
- Length
- 3:52
- Released
- 2023
- Genre
- African
- Loudness
- -8.0 dB
- Dynamics
- 11.5 dB
- ISRC
- USZ4V2300198
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Stop & Go (Extended) is a driving up-tempo african track in B minor (10A) at 135 BPM. Tonally it lands dark and driving. The groove is strong and floor-ready. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 12 dB). More underground than 99% of Major League DJz's catalogue. In a set it works best as a floor-filler.
- Tempo:
- faster than 93% of Major League DJz's catalogue
- Brightness:
- darker than 92% of Major League DJz's catalogue
- Energy:
- hotter than 79% of Major League DJz's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 34%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 14%
- High
- 2.5-11 kHz
FAQ
What key is Stop & Go (Extended) in?
Stop & Go (Extended) by Major League DJz is in B minor, or 10A on the Camelot wheel.
What BPM is Stop & Go (Extended)?
Stop & Go (Extended) runs at 135 BPM, a driving up-tempo track.
What mixes well with Stop & Go (Extended)?
From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.
Is Stop & Go (Extended) good for peak time?
With energy 74 out of 100 at 135 BPM, it works best as a floor-filler.
Mixes harmonically
10A → 9A · 11A · 10BFrom 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.
How to mix it
In 10A at 135 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.
Pitch range at ±6%: 127-143 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 135 — beatmatch without a big tempo pull.
More african
More from Major League DJz
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 135 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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