The World Is a Family - AfroHouse Vamp Dub
30s preview
- BPM
- 126
- Open Key
- 8d
- Energy
- 89/100
- Pop
- 3/100
- Length
- 7:49
- Released
- 2017
- Album
- The World Is a Family (Remixes)
- Genre
- House
- Loudness
- -7.1 dB
- Dynamics
- 11.0 dB
- ISRC
- QMEU31720901
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- The World Is a Family - AfroHouse Mixoriginal3B · 126
- The World Is a Family - AfroHouse Radio Editversion4A · 126
- The World Is a Family - Roots NYC Radio Editversion4A · 110
- The World Is a Family - Roots NYC Mixoriginal4A · 110
- The World Is a Family - Salsa Mixoriginal4B · 110
- The World Is a Family - Salsa Radio Editversion5A · 110
Against the original (3B at 126 BPM), this version holds the same tempo in the same key.
The World Is a Family - AfroHouse Vamp Dub: club-tempo house, D♭ major (3B), 126 BPM. It reads as bright and euphoric. Rhythmically it is built for the dancefloor. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 11 dB). A 2017 production that still circulates in sets. Hotter than 86% of Louie Vega's catalogue. In a set it works best as a peak-time weapon.
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 36%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 20%
- Upper-mid
- 570 Hz-2.5 kHz
- 14%
- High
- 2.5-11 kHz
FAQ
What key is The World Is a Family - AfroHouse Vamp Dub in?
The World Is a Family - AfroHouse Vamp Dub by Louie Vega is in D♭ major, or 3B on the Camelot wheel.
What BPM is The World Is a Family - AfroHouse Vamp Dub?
The World Is a Family - AfroHouse Vamp Dub runs at 126 BPM, a club-tempo track.
What mixes well with The World Is a Family - AfroHouse Vamp Dub?
From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.
Is The World Is a Family - AfroHouse Vamp Dub good for peak time?
With energy 89 out of 100 at 126 BPM, it works best as a peak-time weapon.
Mixes harmonically
3B → 2B · 4B · 3AFrom 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.
![Endless [extended mix] by Marsh cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/764397c5f01ad2badd82.webp){kind=small}
How to mix it
In 3B at 126 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.
Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 89/100).
Similar tempo
Within ±3 BPM of 126 — beatmatch without a big tempo pull.
More house
More from Louie Vega
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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