Shut The Door - TMBLV Beats Instrumental
30s preview
- BPM
- 132
- Open Key
- 8d
- Energy
- 99/100
- Pop
- 0/100
- Length
- 8:44
- Released
- 2018
- Album
- Shut the Door Feat Héctor Lavoe
- Genre
- House
- Loudness
- -5.6 dB
- Dynamics
- 11.1 dB
- ISRC
- QMZQ41616004
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Shut The Door - TMBLV Beats Mixoriginal3B · 132
- Shut The Door - TMBLV Main Instrumentaloriginal2B · 132
- Shut The Door - TMBLV Main Mixoriginal3B · 132
Against the original (3B at 132 BPM), this version holds the same tempo in the same key.
Shut The Door - TMBLV Beats Instrumental runs 132 BPM in D♭ major (3B), a peak-time tempo house record. Tonally it lands punchy, neutral in mood. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 11 dB). A 2018 production that still circulates in sets. Hotter than 99% of Louie Vega's catalogue. For programming, treat it as a peak-time weapon.
- Tempo:
- faster than 99% of Louie Vega's catalogue
- Reach:
- more underground than 99% of Louie Vega's catalogue
- Brightness:
- darker than 77% of Louie Vega's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 35%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 19%
- Upper-mid
- 570 Hz-2.5 kHz
- 18%
- High
- 2.5-11 kHz
FAQ
What key is Shut The Door - TMBLV Beats Instrumental in?
Shut The Door - TMBLV Beats Instrumental by Louie Vega is in D♭ major, or 3B on the Camelot wheel.
What BPM is Shut The Door - TMBLV Beats Instrumental?
Shut The Door - TMBLV Beats Instrumental runs at 132 BPM, a peak-time tempo track.
What mixes well with Shut The Door - TMBLV Beats Instrumental?
From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.
Is Shut The Door - TMBLV Beats Instrumental good for peak time?
With energy 99 out of 100 at 132 BPM, it works best as a peak-time weapon.
Mixes harmonically
3B → 2B · 4B · 3AFrom 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.
How to mix it
In 3B at 132 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.
Pitch range at ±6%: 124-140 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 99/100).
Similar tempo
Within ±3 BPM of 132 — beatmatch without a big tempo pull.
More house
More from Louie Vega
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 132 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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