Igobolo (feat. Joaquin "Joe" Claussell) - Expansions NYC Dub
30s preview
- BPM
- 124
- Open Key
- 8d
- Energy
- 69/100
- Pop
- 2/100
- Length
- 5:35
- Released
- 2023
- Album
- Joy Universal EP
- Genre
- House
- Loudness
- -12.0 dB
- Dynamics
- 12.4 dB
- ISRC
- USNRS2242364
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Igobolo (feat. Joaquin "Joe" Claussell) - [Extended Version]version2B · 125
- Igobolo (feat. Joaquin "Joe" Claussell) - Joe & Louie's Mood Dubversion2B · 125
- Igobolo (feat. Joaquin "Joe" Claussell) - Sacred Rhythm Tones Full Versionoriginal2B · 125
Against the original (2B at 125 BPM), this version runs 1 BPM slower and moves the key from 2B to 3B.
Igobolo (feat. Joaquin "Joe" Claussell) - Expansions NYC Dub: club-tempo house, D♭ major (3B), 124 BPM. It reads as punchy, neutral in mood. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 12 dB). Less groove-driven than 87% of Louie Vega's catalogue. For programming, treat it as a mid-set roller.
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 38%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 19%
- Upper-mid
- 570 Hz-2.5 kHz
- 14%
- High
- 2.5-11 kHz
FAQ
What key is Igobolo (feat. Joaquin "Joe" Claussell) - Expansions NYC Dub in?
Igobolo (feat. Joaquin "Joe" Claussell) - Expansions NYC Dub by Louie Vega is in D♭ major, or 3B on the Camelot wheel.
What BPM is Igobolo (feat. Joaquin "Joe" Claussell) - Expansions NYC Dub?
Igobolo (feat. Joaquin "Joe" Claussell) - Expansions NYC Dub runs at 124 BPM, a club-tempo track.
What mixes well with Igobolo (feat. Joaquin "Joe" Claussell) - Expansions NYC Dub?
From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.
Is Igobolo (feat. Joaquin "Joe" Claussell) - Expansions NYC Dub good for peak time?
With energy 69 out of 100 at 124 BPM, it works best as a mid-set roller.
Mixes harmonically
3B → 2B · 4B · 3AFrom 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.
![Medication (feat. Gene Farris) [Extended Mix] by Jamie Jones cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/c9795eb4321e17326eb3.webp){kind=small}
How to mix it
In 3B at 124 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.
Pitch range at ±6%: 117-131 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 124 — beatmatch without a big tempo pull.
More house
More from Louie Vega
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 124 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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