Feel So Right (feat. Honey Dijon) - Tedd Patterson's Feels Tight Dub by Louie Vega cover art

Feel So Right (feat. Honey Dijon) - Tedd Patterson's Feels Tight Dub

Louie Vega

30s preview

Key
10B · D major
BPM
126
Open Key
3d
Energy
84/100
Pop
6/100
Length
4:36
Released
2023
Album
Feel So Right (feat. Honey Dijon) [Remixes]
Genre
House
Loudness
-7.5 dB
Dynamics
10.6 dB
ISRC
USNRS2342971

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

Against the original (3B at 126 BPM), this version holds the same tempo and moves the key from 3B to 10B.

A club-tempo house cut, Feel So Right (feat. Honey Dijon) - Tedd Patterson's Feels Tight Dub sits in D major (10B) at 126 BPM. The feel is punchy, neutral in mood. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. In a set it works best as a peak-time weapon.

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy84
Mood53Balanced
Groove80
Acoustic0
Instrumental92
Live64
Speech4

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
39%
Low
30-130 Hz
25%
Low-mid
130-570 Hz
18%
Upper-mid
570 Hz-2.5 kHz
18%
High
2.5-11 kHz

FAQ

What key is Feel So Right (feat. Honey Dijon) - Tedd Patterson's Feels Tight Dub in?

Feel So Right (feat. Honey Dijon) - Tedd Patterson's Feels Tight Dub by Louie Vega is in D major, or 10B on the Camelot wheel.

What BPM is Feel So Right (feat. Honey Dijon) - Tedd Patterson's Feels Tight Dub?

Feel So Right (feat. Honey Dijon) - Tedd Patterson's Feels Tight Dub runs at 126 BPM, a club-tempo track.

What mixes well with Feel So Right (feat. Honey Dijon) - Tedd Patterson's Feels Tight Dub?

From 10B it blends harmonically with 11B, 10A, 9B. Moving to 11B lifts the energy a step.

Is Feel So Right (feat. Honey Dijon) - Tedd Patterson's Feels Tight Dub good for peak time?

With energy 84 out of 100 at 126 BPM, it works best as a peak-time weapon.

Mixes harmonically

10B9B · 11B · 10A

From 10B, 11B (A major) lifts the energy a step; 10A (B minor) settles into the relative minor; 9B (G major) cools the energy down a step.

#TrackKey·BPM

Every move from 10B

11BSimple Mix Upper
9BSimple Mix Downer
10ATonal Shift·
11ADiagonal Mix Upper
9ADiagonal Mix Downer
1ACompatible Tone·
12BHigh Energy Boost▲▲▲
8BHigh Energy Drain▼▼▼
1BParallel Key Upper▲▲
7BParallel Key Downer▼▼
5BTritone Jump▲▲
2BRelated Keyrisky

How to mix it

In 10B at 126 BPM: 11B (A major) — move to 11B to push the floor harder; 10A (B minor) — switch to 10A for a mood change without losing the groove; 9B (G major) — drop to 9B to bring the room down gently.

Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5B rather than 10B; below -5% it reads as 3B. With key lock on, it stays 10B across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 84/100).

Similar tempo

Within ±3 BPM of 126 — beatmatch without a big tempo pull.

More house

More from Louie Vega

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

Every insight on this page, for your own library.

Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.