Waiting Line
30s preview
- BPM
- 174
- Half-time
- 87
- Open Key
- 8m
- Energy
- 99/100
- Pop
- 0/100
- Length
- 4:52
- Released
- 2008
- Genre
- Drum N Bass
- Loudness
- -6.1 dB
- Dynamics
- 21.4 dB
- ISRC
- GBCJY0813408
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Waiting Line: drum n bass, B♭ minor (3A), 174 BPM. It reads as bright and euphoric. The mix is almost entirely instrumental. The timbre leans dark. The master keeps unusual dynamic range for club music (crest 21 dB). A 2008 production that still circulates in sets. Brighter than 99% of Logistics's catalogue. For programming, treat it as an opener or closing-set piece.
- Reach:
- more underground than 99% of Logistics's catalogue
- Energy:
- hotter than 89% of Logistics's catalogue
- Low end:
- more treble-tilted than 88% of Logistics's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 25%
- Low
- 30-130 Hz
- 26%
- Low-mid
- 130-570 Hz
- 26%
- Upper-mid
- 570 Hz-2.5 kHz
- 22%
- High
- 2.5-11 kHz
FAQ
What key is Waiting Line in?
Waiting Line by Logistics is in B♭ minor, or 3A on the Camelot wheel.
What BPM is Waiting Line?
Waiting Line runs at 174 BPM.
What mixes well with Waiting Line?
From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.
Is Waiting Line good for peak time?
With energy 99 out of 100 at 174 BPM, it works best as an opener or closing-set piece.
Mixes harmonically
3A → 2A · 4A · 3BFrom 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.
How to mix it
In 3A at 174 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.
Pitch range at ±6%: 164-184 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.
Programming: an opener or closing-set piece.
Similar tempo
Within ±3 BPM of 174 — beatmatch without a big tempo pull.
More drum n bass
More from Logistics
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 174 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.