Time to Give It Up by Logistics cover art

Time to Give It Up

Logistics

30s preview

Key
9B · G major
BPM
174
Half-time
87
Open Key
2d
Energy
98/100
Pop
3/100
Length
4:12
Released
2006
Genre
Drum N Bass
Loudness
-6.0 dB
Dynamics
19.7 dB
ISRC
GBCJY0611224

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

At 174 BPM in G major (9B), Time to Give It Up is a drum n bass production. The feel is bright and euphoric. The mix is almost entirely instrumental. The master keeps unusual dynamic range for club music (crest 20 dB). A 2006 production that still circulates in sets. Groovier than 93% of Logistics's catalogue. For programming, treat it as an opener or closing-set piece.

Brightness:
brighter than 90% of Logistics's catalogue
Energy:
hotter than 78% of Logistics's catalogue
Tempo:
slower than 76% of Logistics's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy98
Mood77Bright
Groove69
Acoustic0
Instrumental86
Live31
Speech8

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
31%
Low
30-130 Hz
25%
Low-mid
130-570 Hz
25%
Upper-mid
570 Hz-2.5 kHz
20%
High
2.5-11 kHz

FAQ

What key is Time to Give It Up in?

Time to Give It Up by Logistics is in G major, or 9B on the Camelot wheel.

What BPM is Time to Give It Up?

Time to Give It Up runs at 174 BPM.

What mixes well with Time to Give It Up?

From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.

Is Time to Give It Up good for peak time?

With energy 98 out of 100 at 174 BPM, it works best as an opener or closing-set piece.

Mixes harmonically

9B8B · 10B · 9A

From 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.

#TrackKey·BPM

Every move from 9B

10BSimple Mix Upper
8BSimple Mix Downer
9ATonal Shift·
10ADiagonal Mix Upper
8ADiagonal Mix Downer
12ACompatible Tone·
11BHigh Energy Boost▲▲▲
7BHigh Energy Drain▼▼▼
12BParallel Key Upper▲▲
6BParallel Key Downer▼▼
4BTritone Jump▲▲
1BRelated Keyrisky

How to mix it

In 9B at 174 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.

Pitch range at ±6%: 164-184 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.

Programming: an opener or closing-set piece.

Similar tempo

Within ±3 BPM of 174 — beatmatch without a big tempo pull.

#TrackKey·BPM

More drum n bass

#TrackKey·BPM

More from Logistics

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 174 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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