Breaking Chains - Vocal Mix
30s preview
- BPM
- 120
- Open Key
- 3m
- Energy
- 85/100
- Pop
- 1/100
- Length
- 6:44
- Released
- 2020
- Album
- Breaking Chains
- Genre
- House
- Loudness
- -6.2 dB
- Dynamics
- 11.2 dB
- ISRC
- FRX762016799
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Breaking Chains - Afro Funk Mixoriginal9B · 120
- Breaking Chains - Dub Mixversion1A · 120
Breaking Chains - Vocal Mix: club-tempo house, B minor (10A), 120 BPM. It reads as bright and euphoric. Rhythmically it is built for the dancefloor. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 11 dB). Groovier than 99% of Leo Guardo's catalogue. In a set it works best as a floor-filler.
- Brightness:
- brighter than 96% of Leo Guardo's catalogue
- Tempo:
- slower than 92% of Leo Guardo's catalogue
- Low end:
- more treble-tilted than 90% of Leo Guardo's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 34%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 23%
- Upper-mid
- 570 Hz-2.5 kHz
- 15%
- High
- 2.5-11 kHz
FAQ
What key is Breaking Chains - Vocal Mix in?
Breaking Chains - Vocal Mix by Leo Guardo is in B minor, or 10A on the Camelot wheel.
What BPM is Breaking Chains - Vocal Mix?
Breaking Chains - Vocal Mix runs at 120 BPM, a club-tempo track.
What mixes well with Breaking Chains - Vocal Mix?
From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.
Is Breaking Chains - Vocal Mix good for peak time?
With energy 85 out of 100 at 120 BPM, it works best as a floor-filler.
Mixes harmonically
10A → 9A · 11A · 10BFrom 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.
How to mix it
In 10A at 120 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.
Pitch range at ±6%: 113-127 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 120 — beatmatch without a big tempo pull.
More house
More from Leo Guardo
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 120 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
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