Where Did We Go Wrong - Oscar Mbo Remix
30s preview
- BPM
- 120
- Open Key
- 5m
- Energy
- 85/100
- Pop
- 20/100
- Length
- 7:01
- Released
- 2025
- Album
- Where Did We Go Wrong
- Genre
- House
- Loudness
- -6.2 dB
- Dynamics
- 11.1 dB
- ISRC
- GBQ491200766
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Where Did We Go Wrong - Oscar Mbo Instrumentaloriginal12A · 60
Where Did We Go Wrong - Oscar Mbo Remix runs 120 BPM in D♭ minor (12A), a club-tempo house record. Tonally it lands bright and euphoric. Rhythmically it is built for the dancefloor. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 11 dB). Brighter than 92% of Oscar Mbo's catalogue. For programming, treat it as a floor-filler.
- Energy:
- hotter than 90% of Oscar Mbo's catalogue
- Low end:
- more treble-tilted than 86% of Oscar Mbo's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 34%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 20%
- Upper-mid
- 570 Hz-2.5 kHz
- 18%
- High
- 2.5-11 kHz
FAQ
What key is Where Did We Go Wrong - Oscar Mbo Remix in?
Where Did We Go Wrong - Oscar Mbo Remix by Oscar Mbo is in D♭ minor, or 12A on the Camelot wheel.
What BPM is Where Did We Go Wrong - Oscar Mbo Remix?
Where Did We Go Wrong - Oscar Mbo Remix runs at 120 BPM, a club-tempo track.
What mixes well with Where Did We Go Wrong - Oscar Mbo Remix?
From 12A it blends harmonically with 1A, 12B, 11A. Moving to 1A lifts the energy a step.
Is Where Did We Go Wrong - Oscar Mbo Remix good for peak time?
With energy 85 out of 100 at 120 BPM, it works best as a floor-filler.
Mixes harmonically
12A → 11A · 1A · 12BFrom 12A, 1A (A♭ minor) lifts the energy a step; 12B (E major) brightens to the relative major; 11A (F♯ minor) cools the energy down a step.
How to mix it
In 12A at 120 BPM: 1A (A♭ minor) — move to 1A to push the floor harder; 12B (E major) — switch to 12B for a mood change without losing the groove; 11A (F♯ minor) — drop to 11A to bring the room down gently.
Pitch range at ±6%: 113-127 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 7A rather than 12A; below -5% it reads as 5A. With key lock on, it stays 12A across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 120 — beatmatch without a big tempo pull.
More house
More from Oscar Mbo
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 120 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
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