Goldblaeserdirigentin - The Chosen Two Remix
30s preview
- Key
- 9A · E minor
- BPM
- 124
- Open Key
- 2m
- Energy
- 85/100
- Pop
- 1/100
- Length
- 7:06
- Released
- 2012
- Album
- Goldblaeserdirigentin
- Genre
- Tech House
- Loudness
- -8.4 dB
- Dynamics
- 13.6 dB
- ISRC
- DEAR41231527
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Goldblaeserdirigentin (original)original7A · 127
- Goldblaeserdirigentin - Drauf & Dran Remixremix8A · 128
- Goldblaeserdirigentin - Arts & Leni Remixremix8B · 126
Against the original (7A at 127 BPM), this version runs 3 BPM slower and moves the key from 7A to 9A.
Goldblaeserdirigentin - The Chosen Two Remix is a club-tempo tech house track in E minor (9A) at 124 BPM. Tonally it lands dark and driving. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 14 dB). A 2012 production that still circulates in sets. Groovier than 90% of KlangKuenstler's catalogue. For programming, treat it as a peak-time weapon.
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 34%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 20%
- Upper-mid
- 570 Hz-2.5 kHz
- 18%
- High
- 2.5-11 kHz
FAQ
What key is Goldblaeserdirigentin - The Chosen Two Remix in?
Goldblaeserdirigentin - The Chosen Two Remix by KlangKuenstler is in E minor, or 9A on the Camelot wheel.
What BPM is Goldblaeserdirigentin - The Chosen Two Remix?
Goldblaeserdirigentin - The Chosen Two Remix runs at 124 BPM, a club-tempo track.
What mixes well with Goldblaeserdirigentin - The Chosen Two Remix?
From 9A it blends harmonically with 10A, 9B, 8A. Moving to 10A lifts the energy a step.
Is Goldblaeserdirigentin - The Chosen Two Remix good for peak time?
With energy 85 out of 100 at 124 BPM, it works best as a peak-time weapon.
Mixes harmonically
9A → 8A · 10A · 9BFrom 9A, 10A (B minor) lifts the energy a step; 9B (G major) brightens to the relative major; 8A (A minor) cools the energy down a step.
How to mix it
In 9A at 124 BPM: 10A (B minor) — move to 10A to push the floor harder; 9B (G major) — switch to 9B for a mood change without losing the groove; 8A (A minor) — drop to 8A to bring the room down gently.
Pitch range at ±6%: 117-131 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4A rather than 9A; below -5% it reads as 2A. With key lock on, it stays 9A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 85/100).
Similar tempo
Within ±3 BPM of 124 — beatmatch without a big tempo pull.
More tech house
More from KlangKuenstler
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 124 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
