Night Owl - Vocal Mix
30s preview
- BPM
- 124
- Open Key
- 5d
- Energy
- 95/100
- Pop
- 2/100
- Length
- 3:45
- Released
- 2018
- Album
- Night Owl
- Genre
- Tech House
- Label
- Kaluki Musik
- Loudness
- -5.4 dB
- Dynamics
- 9.5 dB
- ISRC
- GBJAJ1800978
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Night Owl - Secondcity Extended Remixremix10A · 127
- Night Owloriginal11A · 124
- Night Owl - Extended Mixversion11A · 124
- Night Owl - Jansons Extended Remixremix3B · 125
- Night Owl - Jansons Remixremix3B · 125
- Night Owl - Secondcity Remixremix10A · 127
At 124 BPM in E major (12B), Night Owl - Vocal Mix is a club-tempo tech house production. The groove is strong and floor-ready. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2018 production that still circulates in sets. Brighter than 89% of Ki Creighton's catalogue. In a set it works best as a peak-time weapon.
- Energy:
- hotter than 79% of Ki Creighton's catalogue
- Reach:
- better known than 76% of Ki Creighton's catalogue
- Tempo:
- slower than 75% of Ki Creighton's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 36%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 20%
- Upper-mid
- 570 Hz-2.5 kHz
- 16%
- High
- 2.5-11 kHz
FAQ
What key is Night Owl - Vocal Mix in?
Night Owl - Vocal Mix by Ki Creighton is in E major, or 12B on the Camelot wheel.
What BPM is Night Owl - Vocal Mix?
Night Owl - Vocal Mix runs at 124 BPM, a club-tempo track.
What mixes well with Night Owl - Vocal Mix?
From 12B it blends harmonically with 1B, 12A, 11B. Moving to 1B lifts the energy a step.
Is Night Owl - Vocal Mix good for peak time?
With energy 95 out of 100 at 124 BPM, it works best as a peak-time weapon.
Mixes harmonically
12B → 11B · 1B · 12AFrom 12B, 1B (B major) lifts the energy a step; 12A (D♭ minor) settles into the relative minor; 11B (A major) cools the energy down a step.
How to mix it
In 12B at 124 BPM: 1B (B major) — move to 1B to push the floor harder; 12A (D♭ minor) — switch to 12A for a mood change without losing the groove; 11B (A major) — drop to 11B to bring the room down gently.
Pitch range at ±6%: 117-131 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 7B rather than 12B; below -5% it reads as 5B. With key lock on, it stays 12B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 95/100).
Similar tempo
Within ±3 BPM of 124 — beatmatch without a big tempo pull.
More tech house
More from Ki Creighton
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 124 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
