Rhythm Is Gonna Get You by Kevin McKay cover art

Rhythm Is Gonna Get You

Kevin McKay

30s preview

Key
11B · A major
BPM
126
Open Key
4d
Energy
86/100
Pop
9/100
Length
5:54
Released
2025
Genre
House
Loudness
-5.6 dB
Dynamics
9.3 dB
ISRC
GBPQS2500228

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Rhythm Is Gonna Get You runs 126 BPM in A major (11B), a club-tempo house record. Tonally it lands punchy, neutral in mood. Rhythmically it is built for the dancefloor. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. Darker than 83% of Kevin McKay's catalogue. In a set it works best as a peak-time weapon.

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy86
Mood42Balanced
Groove81
Acoustic0
Instrumental16
Live8
Speech6

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
37%
Low
30-130 Hz
29%
Low-mid
130-570 Hz
19%
Upper-mid
570 Hz-2.5 kHz
15%
High
2.5-11 kHz

FAQ

What key is Rhythm Is Gonna Get You in?

Rhythm Is Gonna Get You by Kevin McKay is in A major, or 11B on the Camelot wheel.

What BPM is Rhythm Is Gonna Get You?

Rhythm Is Gonna Get You runs at 126 BPM, a club-tempo track.

What mixes well with Rhythm Is Gonna Get You?

From 11B it blends harmonically with 12B, 11A, 10B. Moving to 12B lifts the energy a step.

Is Rhythm Is Gonna Get You good for peak time?

With energy 86 out of 100 at 126 BPM, it works best as a peak-time weapon.

Mixes harmonically

11B10B · 12B · 11A

From 11B, 12B (E major) lifts the energy a step; 11A (F♯ minor) settles into the relative minor; 10B (D major) cools the energy down a step.

#TrackKey·BPM

Every move from 11B

12BSimple Mix Upper
10BSimple Mix Downer
11ATonal Shift·
12ADiagonal Mix Upper
10ADiagonal Mix Downer
2ACompatible Tone·
1BHigh Energy Boost▲▲▲
9BHigh Energy Drain▼▼▼
2BParallel Key Upper▲▲
8BParallel Key Downer▼▼
6BTritone Jump▲▲
3BRelated Keyrisky

How to mix it

In 11B at 126 BPM: 12B (E major) — move to 12B to push the floor harder; 11A (F♯ minor) — switch to 11A for a mood change without losing the groove; 10B (D major) — drop to 10B to bring the room down gently.

Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6B rather than 11B; below -5% it reads as 4B. With key lock on, it stays 11B across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 86/100).

Similar tempo

Within ±3 BPM of 126 — beatmatch without a big tempo pull.

#TrackKey·BPM

More house

#TrackKey·BPM

More from Kevin McKay

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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