Nothing Can Come Between Us (feat. Rozie Gyems) - Extended Mix
- Key
- 4A · F minor
- BPM
- 124
- Open Key
- 9m
- Energy
- 68/100
- Pop
- 0/100
- Length
- 5:27
- Released
- 2020
- Album
- Nothing Can Come Between Us (feat. Rozie Gyems)
- Genre
- House
- Loudness
- -9.3 dB
- ISRC
- GBPQS2000276
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Nothing Can Come Between Us (feat. Rozie Gyems)original2B · 124
Against the original (2B at 124 BPM), this version holds the same tempo and moves the key from 2B to 4A.
Nothing Can Come Between Us (feat. Rozie Gyems) - Extended Mix: club-tempo house, F minor (4A), 124 BPM. Tonally it lands bright and euphoric. Rhythmically it is built for the dancefloor. More underground than 99% of Kevin McKay's catalogue. For programming, treat it as a mid-set roller.
- Energy:
- calmer than 92% of Kevin McKay's catalogue
- Tempo:
- slower than 79% of Kevin McKay's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Nothing Can Come Between Us (feat. Rozie Gyems) - Extended Mix in?
Nothing Can Come Between Us (feat. Rozie Gyems) - Extended Mix by Kevin McKay is in F minor, or 4A on the Camelot wheel.
What BPM is Nothing Can Come Between Us (feat. Rozie Gyems) - Extended Mix?
Nothing Can Come Between Us (feat. Rozie Gyems) - Extended Mix runs at 124 BPM, a club-tempo track.
What mixes well with Nothing Can Come Between Us (feat. Rozie Gyems) - Extended Mix?
From 4A it blends harmonically with 5A, 4B, 3A. Moving to 5A lifts the energy a step.
Is Nothing Can Come Between Us (feat. Rozie Gyems) - Extended Mix good for peak time?
With energy 68 out of 100 at 124 BPM, it works best as a mid-set roller.
Mixes harmonically
4A → 3A · 5A · 4BFrom 4A, 5A (C minor) lifts the energy a step; 4B (A♭ major) brightens to the relative major; 3A (B♭ minor) cools the energy down a step.
How to mix it
In 4A at 124 BPM: 5A (C minor) — move to 5A to push the floor harder; 4B (A♭ major) — switch to 4B for a mood change without losing the groove; 3A (B♭ minor) — drop to 3A to bring the room down gently.
Pitch range at ±6%: 117-131 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11A rather than 4A; below -5% it reads as 9A. With key lock on, it stays 4A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 124 — beatmatch without a big tempo pull.
More house
More from Kevin McKay
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 124 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
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