Fever Called Love by Kevin McKay cover art

Fever Called Love

Kevin McKay

30s preview

Key
2B · F♯ major
BPM
126
Open Key
7d
Energy
94/100
Pop
0/100
Length
2:49
Released
2019
Genre
House
Loudness
-6.2 dB
Dynamics
9.6 dB
ISRC
GBPQS2100230

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Fever Called Love runs 126 BPM in F♯ major (2B), a club-tempo house record. The feel is bright and euphoric. The groove is strong and floor-ready. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. More underground than 99% of Kevin McKay's catalogue. For programming, treat it as a peak-time weapon.

Energy:
hotter than 86% of Kevin McKay's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy94
Mood80Bright
Groove77
Acoustic0
Instrumental6
Live9
Speech14

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
35%
Low
30-130 Hz
27%
Low-mid
130-570 Hz
21%
Upper-mid
570 Hz-2.5 kHz
17%
High
2.5-11 kHz

FAQ

What key is Fever Called Love in?

Fever Called Love by Kevin McKay is in F♯ major, or 2B on the Camelot wheel.

What BPM is Fever Called Love?

Fever Called Love runs at 126 BPM, a club-tempo track.

What mixes well with Fever Called Love?

From 2B it blends harmonically with 3B, 2A, 1B. Moving to 3B lifts the energy a step.

Is Fever Called Love good for peak time?

With energy 94 out of 100 at 126 BPM, it works best as a peak-time weapon.

Mixes harmonically

2B1B · 3B · 2A

From 2B, 3B (D♭ major) lifts the energy a step; 2A (E♭ minor) settles into the relative minor; 1B (B major) cools the energy down a step.

#TrackKey·BPM

Every move from 2B

3BSimple Mix Upper
1BSimple Mix Downer
2ATonal Shift·
3ADiagonal Mix Upper
1ADiagonal Mix Downer
5ACompatible Tone·
4BHigh Energy Boost▲▲▲
12BHigh Energy Drain▼▼▼
5BParallel Key Upper▲▲
11BParallel Key Downer▼▼
9BTritone Jump▲▲
6BRelated Keyrisky

How to mix it

In 2B at 126 BPM: 3B (D♭ major) — move to 3B to push the floor harder; 2A (E♭ minor) — switch to 2A for a mood change without losing the groove; 1B (B major) — drop to 1B to bring the room down gently.

Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 9B rather than 2B; below -5% it reads as 7B. With key lock on, it stays 2B across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 94/100).

Similar tempo

Within ±3 BPM of 126 — beatmatch without a big tempo pull.

#TrackKey·BPM

More house

#TrackKey·BPM

More from Kevin McKay

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

Every insight on this page, for your own library.

Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.