Everywhere - Extended Mix
30s preview
- BPM
- 124
- Open Key
- 5d
- Energy
- 90/100
- Pop
- 0/100
- Length
- 8:15
- Released
- 2021
- Album
- Everywhere
- Genre
- House
- Loudness
- -7.3 dB
- Dynamics
- 10.2 dB
- ISRC
- GBPQS2100173
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Everywhereoriginal12B · 124
Against the original (12B at 124 BPM), this version holds the same tempo in the same key.
Everywhere - Extended Mix runs 124 BPM in E major (12B), a club-tempo house record. The feel is bright and euphoric. The groove is strong and floor-ready. Its spectrum is weighted to the sub and kick, with a heavy low end. More underground than 99% of Kevin McKay's catalogue. In a set it works best as a peak-time weapon.
- Brightness:
- brighter than 83% of Kevin McKay's catalogue
- Low end:
- more bass-heavy than 81% of Kevin McKay's catalogue
- Tempo:
- slower than 79% of Kevin McKay's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 38%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 19%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is Everywhere - Extended Mix in?
Everywhere - Extended Mix by Kevin McKay is in E major, or 12B on the Camelot wheel.
What BPM is Everywhere - Extended Mix?
Everywhere - Extended Mix runs at 124 BPM, a club-tempo track.
What mixes well with Everywhere - Extended Mix?
From 12B it blends harmonically with 1B, 12A, 11B. Moving to 1B lifts the energy a step.
Is Everywhere - Extended Mix good for peak time?
With energy 90 out of 100 at 124 BPM, it works best as a peak-time weapon.
Mixes harmonically
12B → 11B · 1B · 12AFrom 12B, 1B (B major) lifts the energy a step; 12A (D♭ minor) settles into the relative minor; 11B (A major) cools the energy down a step.
How to mix it
In 12B at 124 BPM: 1B (B major) — move to 1B to push the floor harder; 12A (D♭ minor) — switch to 12A for a mood change without losing the groove; 11B (A major) — drop to 11B to bring the room down gently.
Pitch range at ±6%: 117-131 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 7B rather than 12B; below -5% it reads as 5B. With key lock on, it stays 12B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 90/100).
Similar tempo
Within ±3 BPM of 124 — beatmatch without a big tempo pull.
More house
More from Kevin McKay
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 124 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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